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	<description>Musings by Shahidul Alam</description>
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		<title>Andrew Biraj first judge for MUD Africa Photography/Short Film Competition 2012</title>
		<link>http://www.shahidulnews.com/2012/02/08/andrew-biraj-first-judge-for-mud-africa-photographyshort-film-competition-2012/</link>
		<comments>http://www.shahidulnews.com/2012/02/08/andrew-biraj-first-judge-for-mud-africa-photographyshort-film-competition-2012/#comments</comments>
		<pubDate>Wed, 08 Feb 2012 02:33:33 +0000</pubDate>
		<dc:creator>Shahidul Alam</dc:creator>
				<category><![CDATA[Bangladesh]]></category>
		<category><![CDATA[culture]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Pathshala]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Andrew Biraj]]></category>
		<category><![CDATA[award]]></category>
		<category><![CDATA[contes]]></category>
		<category><![CDATA[judging]]></category>
		<category><![CDATA[Jury]]></category>
		<category><![CDATA[MUD]]></category>
		<category><![CDATA[Pathshala. Africa]]></category>
		<category><![CDATA[Visual Arts]]></category>

		<guid isPermaLink="false">http://www.shahidulnews.com/?p=11417</guid>
		<description><![CDATA[Andrew Biraj &#8211; Lecturer at Pathshala, South Asian Institute of Photography, Dhaka and staff photographer at Reuters since 2008, has been announced the first judge for the MUD Africa Photography/Short Film Competition 2012&#160; &#8220;Throughout the years I have documented &#160;numerous &#8230; <a href="http://www.shahidulnews.com/2012/02/08/andrew-biraj-first-judge-for-mud-africa-photographyshort-film-competition-2012/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://%E2%80%8Bwww.andrewbiraj.com/">Andrew Biraj</a> &#8211; Lecturer at <a href="http://www.pathshala.net/">Pathshala, South Asian Institute of Photography</a>, Dhaka and staff photographer at Reuters since 2008, has been announced the first judge for the <a href="http://www.facebook.com/events/381144501899798/">MUD Africa Photography/Short Film Competition 2012&nbsp;</a></p>
<figure id="attachment_11418" aria-labelledby="figcaption_attachment_11418" class="wp-caption alignnone" style="width: 166px"><a href="http://www.shahidulnews.com/wp-content/uploads/2012/02/Screen-Shot-2012-02-08-at-08.28.44.png"><img class="size-full wp-image-11418" title="Screen Shot 2012-02-08 at 08.28.44" src="http://www.shahidulnews.com/wp-content/uploads/2012/02/Screen-Shot-2012-02-08-at-08.28.44.png" alt="" width="156" height="208" /></a><figcaption id="figcaption_attachment_11418" class="wp-caption-text">Andrew Biraj</figcaption></figure>
<p><em>&#8220;Throughout the years I have documented &nbsp;numerous stories including &nbsp;political brutality, people’s protest against coal mine, cancer survivors, Jute mill workers, land mine victims, climate refugees and the solitude life of my old grandma&#8221;</em></p>
<p>Andrew holds an Advanced Diploma in Photography from Pathshala in Dhaka and B.A (Hons) in Photography from the University of Bolton, UK in 2005. He has traveled through Afghanistan, Myanmar, Cambodia, Thailand, Singapore, Bangladesh and some parts of Europe to pursue his own work as a social documentary photographer.</p>
<p>His works have been published in <a href="http://Time.com/">Time.com</a>, The New York Times, International Herald Tribune, Lens blog of NYT, 100 <a href="http://Eyes.org/">Eyes.org</a>, Verve Photo, The Guardian, The Observer Magazine, The Times, The Independent of UK, National Geographic online, Le Monde, Courrier International, Stern, Christian Science Monitor, Washington Post, Boston Globe Big Pictures, Globe and Mail, Sydney Morning Herald, Vancouver Sun, Asian GEO, Himal Southasian, Hindustan Times, New Age, Forum Magazine of Daily Star and in many other international publications.</p>
<p><strong>About the Competition:</strong></p>
<p>MUD Africa is proud to host its first annual Photography/ Short Film Competition 2012.</p>
<p>About MUD/ MALAWI:</p>
<p>MUD Africa (Mobilizing + Uniting Development in Africa <a href="http://www.mudafrica.org/">www.mudafrica.org</a>) is an NGO working to better the lives of Malawians as advocates of land and housing rights. Malawi is one of the most rapidly urbanizing countries in the world at a rate of 6.3 percent per year. That is three times the global rate and nearly twice that of the African rate. Unfortunately, the economy lacks proportional growth measures necessary to address and reduce poverty levels, and epidemic becoming more visible in the increasing manifestation of informal settlements (slums). Mutually reinforcing conditions of these settlements include poor infrastructure, water and sanitation, substandard housing with insecure tenure and a lack of basic social services.<span id="more-11417"></span></p>
<p>The COMPETITION:</p>
<p>MUD Africa is an advocate for &#8216;the Right to Adequate Housing&#8217; as recognized under the International Bill of Human Rights. As part of MUD Africa&#8217;s engagement in shelter, we are first developing a photo documentary series, which will begin in April 2012. The theme being &#8216;the Right to Adequate Housing&#8217;. The project is intended to stimulate global awareness while securing local plans of action.</p>
<p>MUD Africa first wants to see what YOUR definition of &#8216;adequate&#8217; (or less than adequate) housing/ living conditions LOOKS LIKE &#8211; documented through photography or a short film. Each entry is to be based on one of the seven components that defines &#8216;adequate&#8217; as determined by the Committee of Economic, Social and Cultural Rights under the International Covenant on Economic, Social and Cultural Rights (ICESCR). Those seven compenents include:</p>
<p>1) Legal security of tenure<br />
2) Availability of services, material, facilities and infrastructure<br />
3) Affordability<br />
4) Habitability<br />
5) Accessibility<br />
6) Location<br />
7) Cultural adequacy</p>
<p>More information on these can be found here (look at point 8, then a, b, c, &#8230; : <a href="http://www.unhchr.ch/tbs/">http://www.unhchr.ch/tbs/</a> doc.nsf/0/ 469f4d91a9378221c12563ed005 3547e</p>
<p>You may enter an individual photo only once (so chose the most appropriate category for it), though you may enter more than one photo. The photo/ video must be yours and you must own full copyright. You will give MUD Africa the right to reproduce the photo/video with full credit given. Each photo must be accompanied with a written statement of what/how it shows one of the definitions of &#8216;adequate&#8217; and if/how you would like to see it improved (using sustainable, environmentally friendly solutions where applicable).</p>
<p>ENTER:</p>
<p>To enter, send your high-resolution photo/ video to <a href="mailto:mud.africa.competition@gmail.com">mud.africa.competition@gmail.com</a> with your name, age, location, where the photo was taken, the title, the category you wish to enter it into and the written description. IMPORTANT: The subject line of your email should state: name/photo or video/ name of category entered. (Example: Maria de la Guardia / Photo/ Availability of Services)</p>
<p>DEADLINE:</p>
<p>The deadline will be March 9th, 2012 at 11pm GMT.</p>
<p>WINNERS:</p>
<p>There will be one winner and one runner-up announced for each category. The winners will recieve a certificate and the photo/ video will go on display at the 212 Pier Gallery in LA, and at a fundraiser event in London, as well as on the MUD Africa website.</p>
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		<title>Eduardo Santiago&#8217;s Reviews &gt; Shahidul Alam: My Journey as a Witness</title>
		<link>http://www.shahidulnews.com/2012/02/01/eduardo-santiagos-reviews-shahidul-alam-my-journey-as-a-witness/</link>
		<comments>http://www.shahidulnews.com/2012/02/01/eduardo-santiagos-reviews-shahidul-alam-my-journey-as-a-witness/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 19:48:29 +0000</pubDate>
		<dc:creator>Shahidul Alam</dc:creator>
				<category><![CDATA[Bangladesh]]></category>
		<category><![CDATA[culture]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[literature]]></category>
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		<category><![CDATA[Migration]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Photojournalism]]></category>
		<category><![CDATA[Photojournalism issues]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[Shahidul Alam]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Bengal Foundation]]></category>
		<category><![CDATA[book]]></category>
		<category><![CDATA[my journey as a witness]]></category>
		<category><![CDATA[publishing]]></category>
		<category><![CDATA[Skira]]></category>
		<category><![CDATA[Visual Arts]]></category>

		<guid isPermaLink="false">http://www.shahidulnews.com/?p=11356</guid>
		<description><![CDATA[My rating: Shahidul Alam: My Journey as a Witness by Shahidul Alam, Rosa Maria Falvo (Editor) Eduardo Santiago&#8216;s review Jan 01, 12 Recommended to Eduardo by: Ginger Painful to read. Troubling&#8230; but beautiful and inspiring as well. Alam comes across as deeply bitter, but &#8230; <a href="http://www.shahidulnews.com/2012/02/01/eduardo-santiagos-reviews-shahidul-alam-my-journey-as-a-witness/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<h1><a href="http://www.goodreads.com/book/show/12081910-shahidul-alam"><img title="Shahidul Alam by Shahidul Alam" src="http://photo.goodreads.com/books/1320541476l/12081910.jpg" alt="Shahidul Alam by Shahidul Alam" width="100" /></a></h1>
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<p>My rating:</p>
<div><a rel="nofollow"><img id="star12081910_0" title="didn't like it" src="http://www.goodreads.com/images/layout/gr_orange_star_inactive.png" alt="didn't like it " width="15" height="15" /></a><a rel="nofollow"><img id="star12081910_1" title="it was ok" src="http://www.goodreads.com/images/layout/gr_orange_star_inactive.png" alt="it was ok " width="15" height="15" /></a><a rel="nofollow"><img id="star12081910_2" title="liked it" src="http://www.goodreads.com/images/layout/gr_orange_star_inactive.png" alt="liked it " width="15" height="15" /></a><a rel="nofollow"><img id="star12081910_3" title="really liked it" src="http://www.goodreads.com/images/layout/gr_orange_star_inactive.png" alt="really liked it " width="15" height="15" /></a><a rel="nofollow"><img id="star12081910_4" title="it was amazing" src="http://www.goodreads.com/images/layout/gr_orange_star_inactive.png" alt="it was amazing " width="15" height="15" /></a></div>
<p><a href="http://www.goodreads.com/user/new?remember=true" rel="nofollow"><img src="http://dkt27ch3b0vq7.cloudfront.net/images/layout/addMyBookbutton.jpg?1327986466" alt="add to my books" /></a></p>
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<div><a href="http://www.goodreads.com/book/show/12081910-shahidul-alam">Shahidul Alam: My Journey as a Witness</a><br />
by <a href="http://www.goodreads.com/author/show/5424224.Shahidul_Alam">Shahidul Alam</a>, <a href="http://www.goodreads.com/author/show/3235466.Rosa_Maria_Falvo">Rosa Maria Falvo</a> (Editor)</p>
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<p><a href="http://www.goodreads.com/user/show/2860188-eduardo-santiago"><img src="http://photo.goodreads.com/users/1256071698p2/2860188.jpg" alt="2860188" /></a></p>
<div>
<p><a href="http://www.goodreads.com/user/show/2860188-eduardo-santiago">Eduardo Santiago</a>&#8216;s review</p>
<div>Jan 01, 12</div>
<div></div>
<div><img title="4 of 5 stars, really liked it" src="http://d16kthk4voxb3t.cloudfront.net/images/layout/stars/red_star_4_of_5.png?1327986466" alt="4 of 5 stars" width="75" height="15" /></div>
<p>Recommended to Eduardo by: Ginger<br />
Painful to read. Troubling&#8230; but beautiful and inspiring as well. Alam comes across as deeply bitter, but unlike the rest of us he uses that to make this world a better place. Through his photography, his words, his actions, he brings truths to light. Beauty, too.</p>
<p>This is not a coffee table book. It&#8217;s not even mostly a photography book. It&#8217;s &#8230; autobiography? Geopolitical venting? Self-congratulation? Those but also much more. From my privileged first-world position it&#8217;s difficult to understand this book in context, to know where Alam is coming from. It&#8217;s easy to accept his perspective, to be temporarily outraged, and ultimately to do nothing because the third world (“Majority World”, as Alam insightfully calls it) is so remote.</p>
<p>Despite that, despite Alam&#8217;s occasionally difficult prose, I think this is a book worth reading and absorbing. A perspective that may be new to many of us. A reminder of so much that still needs to be fixed in this world, and that there are people fighting to fix it.</p>
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		<title>Upcoming photo contests and residencies</title>
		<link>http://www.shahidulnews.com/2012/01/28/upcoming-photo-contests-and-residencies/</link>
		<comments>http://www.shahidulnews.com/2012/01/28/upcoming-photo-contests-and-residencies/#comments</comments>
		<pubDate>Sat, 28 Jan 2012 04:04:29 +0000</pubDate>
		<dc:creator>Shahidul Alam</dc:creator>
				<category><![CDATA[culture]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[contest]]></category>
		<category><![CDATA[residency]]></category>
		<category><![CDATA[Visual Arts]]></category>

		<guid isPermaLink="false">http://www.shahidulnews.com/?p=11345</guid>
		<description><![CDATA[Dear friends of photographyONLY ONE WEEK LEFT DANISH DIGITAL 2012 will close for registration of entries on 4 February. DANISH DIGITAL 2012 is an international salon of photography organanised by Fotoklubben Negativ, Roskilde, Denmark, under patronage of FIAP (2012/007) and &#8230; <a href="http://www.shahidulnews.com/2012/01/28/upcoming-photo-contests-and-residencies/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<td valign="top">Dear friends of photographyONLY ONE WEEK LEFT</p>
<p>DANISH DIGITAL 2012 will close for registration of entries on 4 February.</p>
<p>DANISH DIGITAL 2012 is an international salon of photography organanised by Fotoklubben Negativ, Roskilde, Denmark, under patronage of FIAP (2012/007) and under PSA recognition. Further, DANISH DIGITAL 2012 is recognised by Society of Danish Photography and by United Photographers International (UPI).</p>
<p>There are three sections &#8211; monochrome, colour and nature.Altogether there are 75 prizes to be won! For full conditions of entry and for entering DANISH DIGITAL 2012, please visit <a href="http://www.danishdigital.dk/">www.danishdigital.dk</a>.</p>
<p>Looking forward to receiving your entries.</p>
<p>Best regards</p>
<p>Exhibition Committee</p>
<p>DANISH DIGITAL 2012</td>
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<p><strong>OPPORTUNITY </strong></p>
<p><strong></strong><strong>Culture Lab &amp; ISIS Arts Residency Programme </strong></p>
<p><strong>Call for Applications</strong></p>
<p><strong>Deadline: 17.02.2012</strong></p>
<p><strong>Culture Lab</strong> and <strong>ISIS Arts</strong> are excited to be launching  their second joint, open call for a Resident in 2012.  Proposals are invited from practitioners and researchers from across the spectrum of <strong>creative art</strong>, <strong>design</strong> and <strong>technology</strong> to undertake research in Culture Lab for a minimum of 3 weeks between <strong>1 April – 14 December 2012</strong>.</p>
<p><em>Nortd, Lasersaur, (Culture Lab and ISIS Arts residency artists 2011)</em></p>
<p>An interest in one of the following topics is desirable but applications are also invited from candidates with other interests:</p>
<p>- Data Visualisation / Interactive Visualisation</p>
<p>- New Ways of Interaction and Communication</p>
<p>- Audiovisual and Sound Interfaces/ Biofeedback Applications</p>
<p>- Digital Fabrication</p>
<p>- Social, Cultural and Ethical Practice of Emerging Technologies</p>
<p>You would have use of Culture Lab’s research facilities and equipment, a fee of £2500 (to include travel, accommodation and materials).</p>
<p>Based at Newcastle University, Culture Lab <a href="http://culturelab.ncl.ac.uk/">http://culturelab.ncl.ac.uk</a>, is:</p>
<p>- A centre for creative inquiry in the broadest sense of the term</p>
<p>- A world class research facility for experimentation in interactive media</p>
<p>- A university resource to incubate and facilitate interdisciplinary activity</p>
<p>- A leader in the region’s cultural ecology, providing knowledge for a digital society.</p>
<p>Based in Newcastle City Centre, ISIS Arts is an artist led, visual and media arts organisation, which runs an international programme of commissions, residencies and events. ISIS Arts’ core ethos is to support artists to facilitate international and inter-cultural exchange and to engage as wide an audience as possible in dialogue with artists and artworks. Actively seeking out and engaging with artists of all backgrounds and cultures to produce work that explores identity and challenges prejudice, creating projects of international relevance and local significance.</p>
<p><strong>What we will provide:  </strong></p>
<p>- Access to Culture Lab’s highly sought after research facilities which range from an 8-camera motion capture system to a professional standard recording studio and Digital Fabrication Lab. Access to ISIS</p>
<p>Arts studio spaces for visiting artists</p>
<p>- Integration into Culture Lab’s community of research staff and students, and ISIS Art’s regional community of artists and practitioners</p>
<p>- A budget of up to £2500 to offset costs of production, living expenses, travel and accommodation</p>
<p><strong>How To Apply  </strong></p>
<p><strong>Please submit, via email, to Sarah Greenhalgh (</strong><a href="x-msg://648/Sarah.Greenhalgh@newcastle.ac.uk"><strong>Sarah.Greenhalgh@newcastle.ac.uk</strong></a><strong>) the following:  </strong></p>
<p>- A project proposal (up to 2-sides of A4), detailing residency activities and proposed work plan for minimum 3-week period (which can be consecutive or non-consecutive weeks). Include in this document how the residency will further the artistic/research direction you have proposed, as well as a description of a proposed format for public presentation at the end of the residency.</p>
<p>- A budget detailing your proposed use of up to £2500 residency grant.</p>
<p>- Work sample, submitted via a link to a website (Please do not submit attachments via email).</p>
<p>- The dates you would prefer to undertake the residency.</p>
<p>- A curriculum vitae, outlining recent work, exhibition, performance and research activities.</p>
<p>For full details about this opportunity and how to apply please visit the ISIS Arts website: <a href="http://www.isisarts.org.uk/opportunities"><strong>http://www.isisarts.org.uk/opportunities</strong></a></p>
<p>Dear All and one!</p>
<p>Google+ is only a few months old, but the photography community is already thriving on it. More than 3.4 billion photos have been uploaded to the platform in the first 100 days from far-away places to up-close faces. Seven days left for Google Photography Prize submissions!</p>
<p>Some great prizes to be won:</p>
<p>10 finalists chosen by a jury of renowned photographers will show their work at Saatchi Gallery, London for two months in 2012.</p>
<p>Categories:  Me;  Food; Travel; Fashion; Action; Street; Sport; Night; Sound/Silence; Point-of-view</p>
<p>How to submit photos?</p>
<p>1.     Submit your photos to Google+</p>
<p>2.     Fill out the submission form at: <a href="http://www.google.com/landing/photographyprize/submission.html">http://www.google.com/landing/photographyprize/submission.html</a></p>
<p>Wish you best of luck!</p>
<p><strong>Abdullah Al Razwan (Nabin)</strong><br />
Programme  Coordinator<br />
Pathshala South Asian Media Academy</p>
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<li>The <strong>$15,000</strong> Arnold Newman Prize for New Directions in Photographic Portraiture.</li>
<li>Adobe presents the Breakthrough Photography Award to celebrate artists creating compelling works through digital imaging. An award of <strong>$1,000</strong> prize and <strong>Adobe® Creative Suite® 5.5 Master Collection</strong> will be given to the winner.</li>
<li><strong>The Marty Forscher Fellowship Fund cash award</strong> to one professional and one student winner.</li>
<li>The Sony Emerging Photographer Award to one emerging photographer who will receive a <strong>Sony camera</strong> and a <strong>$1,000</strong> cash prize.</li>
<li>Ten winners will receive a <strong>Nielsen Photo Group membership</strong> which includes; subscriptions to PDN and Rangefi nder magazines, a PDN PhotoPlus Expo Gold Expo Pass, a PhotoServe portfolio and discounts on WPPI and PDN contests.</li>
<li>PDN Editor&#8217;s Choice Award: one winner will receive <strong>a full-page self promotion ad</strong> in an upcoming issue of PDN.</li>
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		<title>Clever Conceptual Photo Manipulations That Tell a Story</title>
		<link>http://www.shahidulnews.com/2012/01/21/clever-conceptual-photo-manipulations-that-tell-a-story/</link>
		<comments>http://www.shahidulnews.com/2012/01/21/clever-conceptual-photo-manipulations-that-tell-a-story/#comments</comments>
		<pubDate>Sat, 21 Jan 2012 05:38:37 +0000</pubDate>
		<dc:creator>Shahidul Alam</dc:creator>
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		<description><![CDATA[By Sonali Vora Editor&#8217;s note: Storytellers have always been inventive people. While evangelists fight over whether original pixels are intact in a modern photograph, it is worth looking at how people have embraced the new technology to create compelling images &#8230; <a href="http://www.shahidulnews.com/2012/01/21/clever-conceptual-photo-manipulations-that-tell-a-story/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://psd.tutsplus.com/articles/inspiration/conceptual-photo-manipulations/">By Sonali Vora</a></p>
<p>Editor&#8217;s note: Storytellers have always been inventive people. While evangelists fight over whether original pixels are intact in a modern photograph, it is worth looking at how people have embraced the new technology to create compelling images that amuse, provoke and occasionally push us into action.</p>
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		<title>35 Magnum Photographers Give Their Advice to Aspiring Photographers</title>
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		<pubDate>Sat, 21 Jan 2012 03:53:42 +0000</pubDate>
		<dc:creator>Shahidul Alam</dc:creator>
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		<description><![CDATA[35 Magnum Photographers Give Their Advice to Aspiring Photographers by&#160;ERIC KIM&#160;on&#160;SEPTEMBER 26, 2011 Bill Reeves, a passionate photographer who is fortunate enough to have Magnum photographers&#160;Eli Reed&#160;and&#160;Paolo Pellegrin&#160;as his mentors, told me about a blog post that Magnum had a &#8230; <a href="http://www.shahidulnews.com/2012/01/21/35-magnum-photographers-give-their-advice-to-aspiring-photographers/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<h1>35 Magnum Photographers Give Their Advice to Aspiring Photographers</h1>
<p><a href="http://erickimphotography.com/blog/2011/09/35-magnum-photographers-give-their-advice-to-aspiring-photographers/">by&nbsp;ERIC KIM&nbsp;on&nbsp;<abbr title="2011-09-26">SEPTEMBER 26, 2011</abbr></a></p>
<div>
<p><a title="William Reeves Photography" href="http://www.wrrphoto.com/">Bill Reeves</a>, a passionate photographer who is fortunate enough to have Magnum photographers&nbsp;<a title="Eli Reed - Magnum" href="http://www.magnumphotos.com/Archive/C.aspx?VP=XSpecific_MAG.PhotographerDetail_VPage&amp;pid=2K7O3R133SSV&amp;nm=Eli%20Reed">Eli Reed</a>&nbsp;and&nbsp;<a title="Paolo Pellegrin - Magnum" href="http://www.magnumphotos.com/C.aspx?VP=XSpecific_MAG.PhotographerDetail_VPage&amp;l1=0&amp;pid=2K7O3R13CHLN&amp;nm=Paolo%20Pellegrin">Paolo Pellegrin</a>&nbsp;as his mentors, told me about a blog post that Magnum had a while back regarding&nbsp;<a title="Wear Good Shoes: Advice to young photographers  " href="http://blog.magnumphotos.com/2008/11/wear_good_shoes_advice_to_young_photographers.html">advice to young photographers</a>. It was put together by Alec Soth, who has done a series of fascinating projects such as his most popular, “<a title="Sleeping by the Missisippi" href="http://alecsoth.com/photography/projects/sleeping-by-the-mississippi/">Sleeping by the Missisippi</a>” which was done on a 8×10 view camera. An interesting excerpt that Bill put together about Alec is below:</p>
<blockquote><p><em>Alec writes up lists of things to shoot. Some normal objects, like suitcases, and others more weird, like unusually tall people. He would tape this list to his steering wheel, and be reminded to shoot those things when he saw them. When he found someone to shoot, he would talk to them, and from that conversation find the next thing to go looking for. An example is he did a portrait of a guy who built model airplanes, and then a portrait of a hooker. The link? She had airplanes painted on her nails. He then went to photograph Charles Lindberg’s childhood home, which led him to photograph Johnny Cash’s boyhood home and so on and so forth.</em></p></blockquote>
<p>I found the advice that these Magnum photographers is golden–and have shared it here to spread the love and knowledge. Keep reading to see their inspirational images and advice. You can also&nbsp;<a title="Magnum Advice to Young Photographers" href="http://dl.dropbox.com/u/3105959/Photography/Downloads/Magnum_Blog_Article_Wear_Good_Shoes_Advice_to_young_photographers.pdf">download the free PDF here</a>.</p>
<h2>Abbas</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=Abbas.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/Abbas.jpg" alt="Photobucket" width="660" height="440" border="0" /></a>Copyright: Abbas</div>
<p>It was many years ago that I took two young Bangladeshi photographers. Mahmud and Shehzad Noorani to the offices of Magnum in Paris. Abbas was then chairman of Magnum. I remember how generous he had been, walking us round every nook and cranny of the office, telling stories that lay behind the great images. It had a lasting impact on the youngsters who have both gone on to become fine photographers. Abbas has since visited Pathshala numerous times. Asked what advice would you give young photographers, he provides an answer typical of the man:</p>
<p>Get a good pair of walking shoes and…fall in love</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/abbas" target="_blank">Abbas’ Magnum Portfolio</a></em></p>
<h2>Alec Soth</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=alecsoth92834.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/alecsoth92834.jpg" alt="Photobucket" width="528" height="660" border="0" /></a>Copyright: Alec Soth</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
Try everything. Photojournalism, fashion, portraiture, nudes, whatever. You won’t know what kind of photographer you are until you try it. During one summer vacation (in college) I worked for a born-again tabletop photographer. All day long we’d photograph socks and listen to Christian radio. That summer I learned I was neither a studio photographer nor a born-again Christian. Another year I worked for a small suburban newspaper chain and was surprised to learn that I enjoyed assignment photography. Fun is important. You should like the process and the subject. If you are bored or unhappy with your subject it will show up in the pictures. If in your heart of hearts you want to take pictures of kitties, take pictures of kitties.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/alecsoth" target="_blank">Alec Soth’s Magnum Portfolio</a></em></p>
<h2>Alex Majoli</h2>
<div><img title="Alex Majoli" src="http://i.imgur.com/2UNWH.png" alt="" width="660" height="490" />Copyright: Alex Majoli</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
I would advise to read a lot of literature and look as little as possible other photographers. Work everyday even without assignments or money, work, work, work with discipline for yourself and not for editors or awards. And also collaborate with people not necessary photographers but people you admire. The key word to learn is participation!</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/AlexMajoli" target="_blank">Alex Majoli’s Magnum Portfolio</a></em></p>
<h2>Alex Webb</h2>
<div id="attachment_4301"><a href="http://erickimphotography.com/blog/wp-content/uploads/2011/09/alex-webb.png"><img title="alex webb" src="http://erickimphotography.com/blog/wp-content/uploads/2011/09/alex-webb.png" alt="" width="660" height="420" /></a>Copyright: Alex Webb</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
Photograph because you love doing it, because you absolutely have to do it, because the chief reward is going to be the process of doing it. Other rewards — recognition, financial remuneration — come to so few and are so fleeting. And even if you are somewhat successful, there will almost inevitably be stretches of time when you will be ignored, have little income, or — often — both. Certainly there are many other easier ways to make a living in this society. Take photography on as a passion, not a career.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/AlexWebb" target="_blank">Alex Webb’s Magnum Portfolio</a></em></p>
<h2>Alessandra Sanguinetti</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=AlessandraSanguinetti.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/AlessandraSanguinetti.jpg" alt="Photobucket" width="660" height="660" border="0" /></a>Copyright: Alessandra Sanguinetti</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
I could use some good advice myself…but first thing that springs to mind is Bob Dylan’s&#8217;: “keep a good head and always carry a light bulb.”</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/AlessandraSanguinetti" target="_blank">Alessandra Sanguinetti’s Magnum Portfolio</a></em></p>
<h2>Bruce Gilden</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=bruce-gilden-5.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/bruce-gilden-5.jpg" alt="Photobucket" width="430" height="660" border="0" /></a>Copyright: Bruce Gilden</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
My advice: “Photograph who you are!”</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/BruceGilden" target="_blank">Bruce Gilden’s Magnum Portfolio</a></em></p>
<h2>Carl De Keyzer</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=CarlDeKeyzer.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/CarlDeKeyzer.jpg" alt="Photobucket" width="660" height="494" border="0" /></a>Copyright: Carl De Keyzer</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
Give it all you got for at least 5 years and then decide if you got what it takes. Too many great talents give up at the very beginning; the great black hole looming after the comfortable academy or university years is the number one killer of future talent.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/CarlDeKeyzer" target="_blank">Carl De Keyzer’s Magnum Portfolio</a></em></p>
<h2>Christopher Anderson</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=ChristopherAnderson.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/ChristopherAnderson.jpg" alt="Photobucket" width="540" height="360" border="0" /></a>Copyright: Christopher Anderson</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
Forget about the profession of being a photographer. First be a photographer and maybe the profession will come after. Don’t be in a rush to make pay your rent with your camera. Jimi Hendrix didn’t decide on the career of professional musician before he learned to play guitar. No, he loved music and and created something beautiful and that THEN became a profession. Larry Towell, for instance, was not a “professional” photographer until he was already a “famous” photographer. Make the pictures you feel compelled to make and perhaps that will lead to a career. But if you try to make the career first, you will just make shitty pictures that you don’t care about.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/Archive/C.aspx?VP=XSpecific_MAG.PhotographerDetail_VPage&amp;l1=0&amp;pid=2K7O3R14A7GU&amp;nm=Christopher%20Anderson" target="_blank">Christopher Anderson’s Magnum Portfolio</a></em></p>
<h2>Chris Steele-Perkins</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=ChrisSteele-Perkins.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/ChrisSteele-Perkins.jpg" alt="Photobucket" width="660" height="470" border="0" /></a>Copyright: Chris Steele-Perkins</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
1) Never think photography is easy. It’s like poetry in that it’s easy enough to make a few rhymes, but that’s not a good poem.<br />
2) Study photography, see what people have achieved, but learn from it, don’t try photographically to be one of those people<br />
3) Photograph things you really care about, things that really interest you, not things you feel you ought to do.<br />
4) Photograph them in the way you feel is right, not they way you think you ought to<br />
5) Be open to criticism, it can be really helpful, but stick to you core values<br />
6) Study and theory is useful but you learn most by doing. Take photographs, lots of them, be depressed by them, take more, hone your skills and get out there in the world and interact.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/Archive/C.aspx?VP=XSpecific_MAG.PhotographerDetail_VPage&amp;l1=0&amp;pid=2K7O3R13H1KG&amp;nm=Chris%20Steele%20-%20Perkins" target="_blank">Chris Steele-Perkins’ Magnum Portfolio</a></em></p>
<h2>Constantine Manos</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=ConstantineManos.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/ConstantineManos.jpg" alt="Photobucket" width="660" height="418" border="0" /></a>Copyright: Constantine Manos</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
Try not to take pictures, which simply show what something looks like. By the way you put the elements of an image together in a frame show us something we have never seen before and will never see again. And remember that catching a moment makes the image even more unique in the stream of time. Also, try to do workshops with photographers whose work you admire, but first ask around to make sure they are good teachers as well as good photographers. Taking good pictures is easy. Making very good pictures is difficult. Making great pictures is almost impossible.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/ConstantineManos" target="_blank">Constantine Manos’ Magnum Portfolio</a></em></p>
<h2>David Alan Harvey</h2>
<div id="attachment_4304"><a href="http://erickimphotography.com/blog/wp-content/uploads/2011/09/David-Alan-Harvey.png"><img title="David Alan Harvey" src="http://erickimphotography.com/blog/wp-content/uploads/2011/09/David-Alan-Harvey.png" alt="" width="660" height="440" /></a>Copyright: David Alan Harvey</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
You must have something to “say”. You must be brutally honest with yourself about this. Think about history , politics, science, literature, music, film, and anthropology. What affects does one discipline have over another? What makes “man” tick? Today , with everyone being able to easily make technically perfect photographs with a cell phone, you need to be an “author”. It is all about authorship, authorship and authorship. Many young photographers come to me and tell me their motivation for being a photographer is to “travel the world” or to “make a name” for themselves. Wrong answers in my opinion. Those are collateral incidentals or perhaps even the disadvantages of being a photographer. Without having tangible ideas , thoughts, feelings, and something almost “literary” to contribute to “the discussion”, today’s photographer will become lost in the sea of mediocrity. Photography is now clearly a language. As with any language, knowing how to spell and write a gramatically correct “sentence” is , of course, necessary. But, more importantly, today’s emerging photographers now must be “visual wordsmiths” with either a clear didactic or an esoteric imperitive. Be a poet, not a technical “writer”. Perhaps more simply put, find a heartfelt personal project. Give yourself the “assignment” you might dream someone would give you. Please remember, you and only you will control your destiny. Believe it, know it, say it.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/DavidAlanHarvey" target="_blank">David Alan Harvey’s Magnum Portfolio</a></em></p>
<h2>Donovan Wylie</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=DonovanWylie.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/DonovanWylie.jpg" alt="Photobucket" width="660" height="492" border="0" /></a>Copyright: Donovan Wylie</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
Never stop enjoying it. Try and not “look” for pictures but keep yourself always open and allow yourself to be stimulated by whatever hits you. Work towards a goal…book, exhibition… but more importantly work towards finding your own voice, your subject and your application. Accept that your work is more about you than what you represent, try to bridge that balance, without resorting to photographing your feet! In other words try and translate personal experience into a collective one, it is very possible and I think the key quest of any art form…(study the book “Waffenruhe” by Michael Schmidt) – study all the great photographers and love doing it, start at the beginning, look at early American, and German, then French, then take a close look at artists using photography in the sixties, Rusha etc. Don’t get bogged down in theory, but respect it, read Robert Adams on Photography, in fact embrace Robert Adams generally and you will learn a lot. Read literature, especially early Russian, French and modern American, (and Irish, Joyce), the journey literature has taken as an art form in terms of description and representation is very similar to photography. Don’t rely on style for the sake of it, if you have your own subject, you can adopt other peoples styles if it helps, and visa versa, if you photograph something every one has, then adopt an style, execution, that can only be yours, eventually you will achieve both, your own voice will come through, but it can take time. Study the book ‘How You Look at It’…Important essays there will help you. Always try and be honest with yourself… for example, is the idea of being a photographer more exciting to you than photography itself, if this is true think about becoming an actor…………………..if you genuinely love photography don’t give it up. Understand and enjoy the fact that photography is a unique medium. Respect and work within photography’s limitations, you will go much further.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/DonovanWylie" target="_blank">Donovan Wylie’s Magnum Portfolio</a></em></p>
<h2>David Hurn</h2>
<div id="attachment_4303"><a href="http://erickimphotography.com/blog/wp-content/uploads/2011/09/David-Hurn.jpg"><img title="David Hurn" src="http://erickimphotography.com/blog/wp-content/uploads/2011/09/David-Hurn.jpg" alt="" width="660" height="420" /></a>Copyright: David Hurn</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
Don’t become a photographer unless its what you ‘have’ to do. It can’t be the easy option. If you become a photographer you will do a lot of walking so buy good shoes.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/DavidHurn" target="_blank">David Hurn’s Magnum Portfolio</a></em></p>
<h2>Dennis Stock</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=DennisStock.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/DennisStock.jpg" alt="Photobucket" width="660" height="435" border="0" /></a>Copyright: Dennis Stock</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
Young photographers should learn their craft well and don’t expect to make a constant living at taking pictures. But they should FOLLOW THEIR BLISS. Find time to pursue themes that indicate their concerns, big and small. Above all when shooting, MAKE AN ARTICULATE IMAGE.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/DennisStock" target="_blank">Dennis Stock’s Magnum Portfolio</a></em></p>
<h2>Eli Reed</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=EliReed.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/EliReed.jpg" alt="Photobucket" width="660" height="439" border="0" /></a>Copyright: Eli Reed</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
Stop talking theory when a camera is in their your and do not over-think the image. Lose the ego and let the photograph find you. Observe the life moving like a river around you and realize that the images you make may become part of the collective history of the time that you are living in.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/EliReed" target="_blank">Eli Reed’s Magnum Portfolio</a></em></p>
<h2>Elliott Erwitt</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=ElliottErwitt.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/ElliottErwitt.jpg" alt="Photobucket" width="660" height="455" border="0" /></a>Copyright: Elliott Erwitt</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
Learn the craft (which is not very hard). Carefully study past work of photographers and classic painters. Look and learn from movies. See where you can fit in as a “commercial” photographer. Commercial: meaning working for others and delivering a product on command. But most of all keep your personal photography as your separate hobby. If you are very good and diligent it just may pay off.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/ElliottErwitt" target="_blank">Elliott Erwitt’s Magnum Portfolio</a></em></p>
<h2>Lise Sarfati</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=LiseSarfati.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/LiseSarfati.jpg" alt="Photobucket" width="660" height="448" border="0" /></a>Copyright: Lise Sarfati</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
Read a lot and create your own universe. Learn how to construct and create a series. Do not be impressed by other works. Try to innovate or simply to be yourself.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/LiseSarfati" target="_blank">Lise Sarfati’s Magnum Portfolio</a></em></p>
<h2>Martine Franck</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=MartineFranck.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/MartineFranck.jpg" alt="Photobucket" width="442" height="660" border="0" /></a>Copyright: Martine Franck</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
My advice to photographers is to get out there in the field and take photographs but also if they are students to finish their course, learn as many languages as possible, go to movies, read books visit museums, broaden your mind.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/MartineFranck" target="_blank">Martine Frank’s Magnum Portfolio</a></em></p>
<h2>Harry Gruyaert</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=HarryGruyaert.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/HarryGruyaert.jpg" alt="Photobucket" width="660" height="504" border="0" /></a>Copyright: Harry Gruyaert</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
Be yourself, Don’t copy anybody.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/HarryGruyaert" target="_blank">Harry Gruyaert’s Magnum Portfolio</a></em></p>
<h2>Hiroji Kubota</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=HirojiKubota.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/HirojiKubota.jpg" alt="Photobucket" width="444" height="660" border="0" /></a>Copyright: Hiroji Kubota</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
Study the works of the greatest photographers like Henri Cartier-Bresson and Andre Kertesz. Try to travel to many parts of the world and understand what a diverse world we live in.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/HirojiKubota" target="_blank">Hiroji Kubota’s Magnum Portfolio</a></em></p>
<h2>John Vink</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=JohnVink.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/JohnVink.jpg" alt="Photobucket" width="660" height="447" border="0" /></a>Copyright: John Vink</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
Don’t stop questioning yourself (it’ll make you less arrogant). Push. Push, scratch, dig… Push further… And stop when you don’t enjoy it anymore… But most of all respect those you photograph…</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/JohnVink" target="_blank">John Vink’s Magnum Portfolio</a></em></p>
<h2>Jonas Bendiksen</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=JonasBendiksen.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/JonasBendiksen.jpg" alt="Photobucket" width="660" height="441" border="0" /></a>Copyright: Jonas Bendiksen</div>
<p><strong><em>What advice would you give young photographers?</em></strong></p>
<p>Throw yourself off a cliff. Figuratively speaking, I mean. Photography is a language. Think about what you want to use it to talk about. What are you interested in? What questions do you want to ask? Then, go for it, and throw yourself into talking about that topic, using photography. Make a body of work about that.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/JonasBendiksen" target="_blank">Jonas Bendiksen’s Magnum Portfolio</a></em></p>
<h2>Larry Towell</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=LarryTowell.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/LarryTowell.jpg" alt="Photobucket" width="660" height="302" border="0" /></a>Copyright: Larry Towell</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
Be yourself and look outside of yourself.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/LarryTowell" target="_blank">Larry Towell’s Magnum Portfolio</a></em></p>
<h2>Mark Power</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=MarkPower.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/MarkPower.jpg" alt="Photobucket" width="660" height="518" border="0" /></a>Copyright: Mark Power</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
Although there are far more people trying to ‘be photographers’ than there were in those heady days of 1980, there are also far more opportunities. Gone are the days, thankfully, when a commercial assignment, or even a picture in a newspaper, can damage the chance of gallery representation.</p>
<p>Yet what is clear is that a number of ‘good pictures’ are no longer enough; today it has to be about ideas, and about the intent of the work. If you have something to say, and even better you have an innovative way of saying it then opportunities are out there.</p>
<p>I sense that photography is concerning itself with real issues again. For some time much of photography seemed to be about itself, and while this was fine, and interesting in some cases, it’s not what photography is really good at. Understand this by familiarising yourself with the rich and wonderful history of our medium. Be proud of it, what it has, and what it can, achieve. Don’t try and reinvent the wheel. Be inspired. Try and copy, if you like (because no one can).</p>
<p>Find a subject you care about. Something that moves you. Something which stirs your rawest emotions. And then have patience.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/MarkPower" target="_blank">Mark Power’s Magnum Portfolio</a></em></p>
<h2>Martin Parr</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=MartinParr.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/MartinParr.jpg" alt="Photobucket" width="660" height="421" border="0" /></a>Copyright: Martin Parr</div>
<p><strong><em>What advice would you give young photographers?</em></strong></p>
<p>Find something you are passionate about, and shoot your way through this obsession with elegance and you will have potential great project.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/MartinParr" target="_blank">Martin Parr’s Magnum Portfolio</a></em></p>
<h2>Mikhael Subotzky</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=MikhaelSubotzky.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/MikhaelSubotzky.jpg" alt="Photobucket" width="660" height="529" border="0" /></a>Copyright: Mikhael Subotzky</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
Stick to one project for a long time. And keep working on it through many stages of learning, even if it might feel finished. Its the only way to break through what I think are some vital lessons that need to be learnt about story-telling and how to combine images.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/Archive/C.aspx?VP=XSpecific_MAG.PhotographerDetail_VPage&amp;l1=0&amp;pid=29YL53008P6N&amp;nm=Mikhael%20Subotzky" target="_blank">Mikhael Subotzky’s Magnum Portfolio</a></em></p>
<h2>Olivia Arthur</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=OliviaArthur.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/OliviaArthur.jpg" alt="Photobucket" width="660" height="660" border="0" /></a>Copyright: Olivia Arthur</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
My main piece of advice for young photographers who have just come out of college is to get away from the ‘hubs’ of photography like London and New York. There are so many photographers touting their portfolios round in places like this that people end up fighting to do jobs that are not what they really want, just to make ends meet. It’s the kind of environment that doesn’t fuel anyone’s creativity (well mostly anyway…). My advice: go out and do the things they really want to before getting tied in…if they don’t take the risk at the beginning they’ll find it much harder to come back and take it later on.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/Archive/C.aspx?VP=XSpecific_MAG.PhotographerDetail_VPage&amp;l1=0&amp;pid=2K1HRGHZJA&amp;nm=Olivia%20Arthur" target="_blank">Olivia Arthur’s Magnum Portfolio</a></em></p>
<h2>Paolo Pellegrin</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=PaoloPellegrin.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/PaoloPellegrin.jpg" alt="Photobucket" width="660" height="440" border="0" /></a>Copyright: Paolo Pellegrin</div>
<p><strong><em>What advice would you give young photographers?</em></strong></p>
<p>I believe photography – like many other things one does in life – is the exact expression of who one is at a given moment: every time you compose and release the shutter you give voice to your thoughts and opinions of the world around you. So other than the obvious patience (photography is a complex medium, a voice which requires time to develop) and perseverance and the necessary humility when dealing with others, I would recommend working to become a more developed and informed individual, a more knowledgeable and engaged citizen. This will translate into a deeper more complex understanding of the world around you, and ultimately into a richer and more meaningful photography.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/PaoloPellegrin" target="_blank">Paolo Pellegrin’s Magnum Portfolio</a></em></p>
<h2>Patrick Zachmann</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=PatrickZachmann.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/PatrickZachmann.jpg" alt="Photobucket" width="660" height="441" border="0" /></a>Copyright: Patrick Zachmann</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
You have to fight for beeing a photographer! More seriously, my advice for young poeple is to go to exhibitions, to see books and try to do a personal project which they feel they have a unique approach of it because they are close the subject and need to express and understand urgently things about it.<br />
Photography has something to do for me, like with Diane Arbus, with oneself through the others and with unconsciousness (sorry for my English: I mean “l’inconscient”) a psychoanalytic approach. I will answer to a third question because it’s linked with above: why did you become a photographer? I became a photographer because I don’t have memory. It took me quite a long time to understand that trough my personal researches (“Inquest of identity or a Jew in search of his memory”, “Chile. The roads of the memory”, “My father’s memory,” etc…), I was looking for the “missing” pictures. Making my book “Inquest of identity”, I found out that my aunt-my father’s sister who was a Nazi camp survivor- had at her home a picture of my grand-parents deported and killed in Auschwitz that my father never showed to us. Thanks photography, I met my father’s parents that I never knew. That’s what I like with photography. It helps me to understand myself and the past through the present.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/Archive/C.aspx?VP=XSpecific_MAG.PhotographerDetail_VPage&amp;l1=0&amp;pid=2K7O3R1VT4UC&amp;nm=Patrick%20Zachmann" target="_blank">Patrick Zachmann’s Magnum Portfolio</a></em></p>
<h2>Peter Marlow</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=PeterMarlow.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/PeterMarlow.jpg" alt="Photobucket" width="569" height="571" border="0" /></a>Copyright: Peter Marlow</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
Be yourself, get up early, and don’t try too hard, as whatever is trying to come out will come eventually without any effort, learn to trust your instincts and don’t think about what others will think or about the process too much. Work hard but enjoy it.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/PeterMarlow" target="_blank">Peter Marlow’s Magnum Portfolio</a></em></p>
<h2>Steve McCurry</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=SteveMcCurry.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/SteveMcCurry.jpg" alt="Photobucket" width="440" height="660" border="0" /></a>Copyright: Steve McCurry</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
If you want to be a photographer, you have to photograph. If you look at the photographers’ work you admire, you will find that they have found a particular place or subject, and then have dug deep into it, and carved out something that is special. That takes a lot of dedication, passion, and work.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/SteveMcCurry" target="_blank">Steve McCurry’s Magnum Portfolio</a></em></p>
<h2>Stuart Franklin</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=StuartFranklin.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/StuartFranklin.jpg" alt="Photobucket" width="660" height="450" border="0" /></a>Copyright: Stuart Franklin</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
Follow your heart and never give up.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/StuartFranklin" target="_blank">Stuart Franklin’s Magnum Portfolio</a></em></p>
<h2>Susan Meiselas</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=SusanMeiselas.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/SusanMeiselas.jpg" alt="Photobucket" width="660" height="436" border="0" /></a>Copyright: Susan Meiselas</div>
<p><strong><em>What advice would you give young photographers?</em></strong></p>
<p>Dig in and follow your instincts and trust your curiosity</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/SusanMeiselas" target="_blank">Susan Meiselas’s Magnum Portfolio</a></em></p>
<h2>Thomas Dworzak</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=ThomasDworzak.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/ThomasDworzak.jpg" alt="Photobucket" width="660" height="440" border="0" /></a>Copyright: Thomas Dworzak</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
Try live something intense, at home, abroad… it does not matter. It has to be passionate. And once you know the basics forget about photography.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/ThomasDworzak" target="_blank">Thomas Dworzaks’s Magnum Portfolio</a></em></p>
<h2>Thomas Hoepker</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=ThomasHoepker.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/ThomasHoepker.jpg" alt="Photobucket" width="443" height="660" border="0" /></a>Copyright: Thomas Hoepker</div>
<p><strong><em>What advice would you give young photographers?</em></strong><br />
Avoid all photo schools and courses. Most will give you lofty ideas and twist your mind in one direction. Find your own way to photography, nobody will ask you later if you have a diploma. Visit as many museums as you possibly can. The images you see (painted, drawn, etched or photographed) will stay with you for the rest of your life. They will help you to discover good pictures in real life. Suppress any silly ambitions of becoming a great artist. Being a good photographer is difficult enough.</p>
<p><em>»&nbsp;<a href="http://www.magnumphotos.com/ThomasHoepker" target="_blank">Thomas Hoepker’s Magnum Portfolio</a></em></p>
<h2>Trent Parke</h2>
<div><a href="http://s1192.photobucket.com/albums/aa322/erickimphotography/?action=view&amp;current=TrentParke.jpg" target="_blank"><img src="http://i1192.photobucket.com/albums/aa322/erickimphotography/TrentParke.jpg" alt="Photobucket" width="660" height="434" border="0" /></a>Copyright: Trent Parke</div>
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<p><strong><em>What advice would you give young photographers?</em></strong><br />
To photograph what is closest to you and the things that you enjoy and have an interest in. Make the whole process as fun and least difficult as possible.</p>
<p>Regarding this document,&nbsp;<a title="Magnum Advice to Young Photographers PDF" href="http://dl.dropbox.com/u/3105959/Photography/Downloads/Magnum_Blog_Article_Wear_Good_Shoes_Advice_to_young_photographers.pdf">You can download the PDF here</a>.</p>
<p><em>Credit:&nbsp;<a title="Magnum Photos Blog" href="http://blog.magnumphotos.com/2008/11/wear_good_shoes_advice_to_young_photographers.html">Magnum Photos Blog</a></em></p>
<p><em>via&nbsp;<a title="William Reeves Photography" href="http://www.wrrphoto.com/">Bill Reeves</a></em></p>
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		<title>What really links the &#8216;urinating marines&#8217; video with Abu Ghraib</title>
		<link>http://www.shahidulnews.com/2012/01/17/what-really-links-the-urinating-marines-video-with-abu-ghraib/</link>
		<comments>http://www.shahidulnews.com/2012/01/17/what-really-links-the-urinating-marines-video-with-abu-ghraib/#comments</comments>
		<pubDate>Tue, 17 Jan 2012 06:37:20 +0000</pubDate>
		<dc:creator>Shahidul Alam</dc:creator>
				<category><![CDATA[culture]]></category>
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		<guid isPermaLink="false">http://www.shahidulnews.com/?p=11278</guid>
		<description><![CDATA[In the digital age, people document and share everything – even insults to the fallen Jonathan Jones guardian.co.uk, Thursday 12 January 2012 18.17 GMT A still from a YouTube video allegedly showing US marines urinating on the bodies of dead Taliban &#8230; <a href="http://www.shahidulnews.com/2012/01/17/what-really-links-the-urinating-marines-video-with-abu-ghraib/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<h1>In the digital age, people document and share everything – even insults to the fallen</h1>
<p><a href="http://www.guardian.co.uk/profile/jonathanjones" rel="author">Jonathan Jones</a></p>
<p><a href="http://www.guardian.co.uk/">guardian.co.uk</a>, <time datetime="2012-01-12T18:17GMT" pubdate="">Thursday 12 January 2012 18.17 GMT</time></p>
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<p><img src="http://static.guim.co.uk/sys-images/Guardian/Pix/pictures/2012/1/12/1326387389534/Video-still-from-YouTube--006.jpg" alt="Video still from YouTube video" width="460" height="276" /></p>
<div>A still from a YouTube video allegedly showing US marines urinating on the bodies of dead Taliban soldiers. Photograph: Reuters</div>
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<p>It is as much a document of the information age as a horror of war. <a title="" href="http://www.guardian.co.uk/world/2012/jan/12/american-marines-accused-war-crimes">A video anonymously posted on YouTube this week</a> apparently shows four US marines urinating on the corpses of Afghans. They pose for a video camera held by a fifth marine, and perform their great deed against the dead with what looks like self-consciousness. They are doing it to be seen, in full awareness they are being filmed. Being filmed, and posting it for the world to watch, might actually be the point of the exercise.<span id="more-11278"></span></p>
<p>Comparisons with previous incidents involving American forces, such as<a title="" href="http://www.guardian.co.uk/gall/0,8542,1211872,00.html">the torture in Abu Ghraib prison in Iraq</a>, seem unavoidable although there is actually a difference between torturing and abusing living prisoners, as happened at Abu Ghraib, and desecrating the bodies of the dead. Goya, in the print he called <a title="" href="http://eeweems.com/goya/great_deeds.html">Great Deeds Against the Dead</a>, captured the futility and cowardice of violence against fallen enemies (assuming these are Taliban fighters and not civilians) and exposed, in the Napoleonic wars, the dirty secret that the dead do get mistreated amid the hate and anger of armed conflict.</p>
<p>Surely the truly striking parallel with Abu Ghraib is not in the nature of the crimes, but the urge to photograph them: and therefore to share them. Perhaps in future, guns will come with an in-built camera and a button that lets you instantly share the moment of battle. These images of a ritual insult to the fallen make their appearance in a world even more plugged into communication than it was in 2004, when the photographs of Abu Ghraib prison guards posing with persecuted prisoners emerged. At the time I remember thinking about those pictures in terms of horror films, trying to imagine the context in which people might so casually abuse power and so insouciantly photograph their own crimes.</p>
<p>But now it no longer seems surprising that violence and cruelty are self-documented in this way. What is not shared, nowadays? What is too private or shameful to put on YouTube? The video of urinating soldiers does not even seem that extreme or shocking – it just takes its place among all the other videos everyone is watching and tweeting about.</p>
<p>Soldiers, it is true, documented their crimes with a camera long before the invention of digital video. Jürgen Stroop, the SS commander who led the crushing of the Warsaw ghetto uprising in 1943, kept <a title="" href="http://www.scrapbookpages.com/poland/warsawghetto/WarsawGhettoUprising.html">a photograph album that visually celebrates his achievement. It is the source of one of the most famous pictures of the Holocaust, of a Jewish boy putting up his hands as he is arrested. Another photo album of the Warsaw ghetto taken by a German soldier calls itself a &#8220;cultural document for Adolf Hitler&#8221;. What</a> did the first &#8220;professional&#8221; photographers of war think they were doing anyway, for that matter, back in the 19th century? When<a title="" href="http://www.archives.gov/education/lessons/brady-photos/">Matthew Brady</a> and other photographers put their equipment in covered wagons and followed the armies into battle in the American civil war, they were not sent by newspapers or the war office. They simply saw an opportunity and took it.</p>
<p>Right from the start, you could argue, war photography was disreputable, a dirty business, tainted by voyeurism. The desire to see the dead of battle was starkly served by Brady. Since then, war photography has become a profession, even an art, regulated unofficially by editors&#8217; decisions of what is and is not to be shown – but the voyeuristic impulse is still there in our appetite for photographs of war.</p>
<p>In that sense, what we are seeing here is an example of the democratisation of photography and film in the digital age. Just as anyone caught in a revolution or riot can take a picture on their phone and get it circulated before professionals are on the scene, so it seems these soldiers filmed their own ugly deeds for themselves. For Matthew Brady, war was a fact of horror to be shown. This video suggests it is now a scene of horror to be enacted so that it can be shared and talked about.</p>
<p><a href="http://www.shahidulnews.com/2012/01/15/have-a-nice-day-buddy-what-the-actions-of-a-few-us-marines-say-about-us-all/">Earlier article</a></p>
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		<title>Not for art&#8217;s sake</title>
		<link>http://www.shahidulnews.com/2012/01/09/not-for-arts-sake/</link>
		<comments>http://www.shahidulnews.com/2012/01/09/not-for-arts-sake/#comments</comments>
		<pubDate>Mon, 09 Jan 2012 16:48:52 +0000</pubDate>
		<dc:creator>Shahidul Alam</dc:creator>
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		<description><![CDATA[Abstract of keynote presentation given at National University of Taiwan 8th January 2012. Taipei Subscribe to ShahidulNews One of the videos presented. A compilation from several videos on major protests in 2011 Long before CSR had become a buzzword and &#8230; <a href="http://www.shahidulnews.com/2012/01/09/not-for-arts-sake/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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// ]]&gt;</script> <script src="http://static.addtoany.com/menu/page.js" type="text/javascript"></script> <!-- END -->Abstract of keynote presentation given at National University of Taiwan</h2>
<h3>8th January 2012. Taipei</h3>
<h3><a href="http://drik-amsterdam-01.drik.net/mailman/listinfo/shahidulnews?shahidul=Subscribe&amp;Submit=Join">Subscribe to ShahidulNews</a></h3>
<p><iframe src="http://player.vimeo.com/video/34783333?title=0&amp;byline=0&amp;portrait=0" width="398" height="224" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe><br />
<em><strong>One of the videos presented. A compilation from several videos on major protests in 2011</strong></em></p>
<p>Long before CSR had become a buzzword and superstars and corporates began to find it essential to have pet social causes to support, we had set up Drik, a small organisation in Bangladesh, which made social justice its raison d&#8217;être.</p>
<p>Over two decades later, when my show on extra judicial killings at the gallery of Drik, was interpreted by a group of international curators as a ‘fantastic performance’. It was time for me to take stock, and see where the art world situated itself and whether I belonged to this marketplace.</p>
<p>As collective movements go, the sub-continent has had its share. Colonial rule, oppression by the landed gentry, women’s struggle for equality in a patriarchal society and the injustice of caste have all been challenged. The solidarity of sustained groups, often against overwhelmingly stronger entities with far greater resources. had been a trademark for undivided India and for Bengal in particular.</p>
<p>It was the dynamics of a ruling class propped up by local agents who stood to profit from inequality, that led to the Gandhian strategy of non-violent resistance. Other methods had also been tried, and Subhas Chandra Bose, with a much more militant outlook, also had a huge following. The Tebhaga peasant movement by the Kisan Sabha had led to laws being formulated that limited the share of the landlords.</p>
<p>Partition did not cure these ills. The ouster of the British did not break up the class structure, but replaced one set of exploiters with another. The British, and other imperial powers continued to maintain unequal trade relations, sometimes in the guise of aid.</p>
<p>Cultural activists in Bangladesh had operated within this milieu. With the military under the control of the West wing, the more populous East Pakistan felt the weight of oppression. Military rule became the vehicle for continued repression but failed to quell the unrest and even the final genocidal attack on the people of East Pakistan, was repulsed by a countrywide resistance.</p>
<p>An independent Bangladesh, free of foreign occupiers, should have been a land free of repression. The reality was very different and cultural activists have had to find new ways of resistance. This has required documentation, articulation and tools of creative expression to deal with injustice in many forms. Having been failed by the major political parties (both government and opposition), cultural actors formed their own groups. Operating with minimum resources, we devised numerous initiatives to mobilise public opinion. Using both new and traditional media, as well as the networking ability of social media we formed lean and tenacious campaigns that chipped away at the establishment and its cohorts insisting on being heard and bent on achieving justice.</p>
<p>But the corporatization of modern Bangladesh has brought about many changes. I remember as a child that we used to respond to natural disasters by grouping together, singing songs, raising money, collecting food and old clothes and going out to affected areas to distribute them. We now leave such activities to the NGOs. Social movements are now sponsored by multinationals and protesters in rallies have sunshades parading the brand logos of telecom companies.</p>
<p>We had simultaneously taken on the hegemony of the west and its new southern accomplices, as well as the repressive regimes that operated within the nation state. But today we also need to examine how social movements have been appropriated, and our inability to operate without ‘funding’ regardless of the cause seriously limits our capacity for social and political intervention.</p>
<p>As an artist, as an activist, and as an organizer, I have along with my colleagues taken on technology, art, education and culture in its diverse forms and have presented a cohesive front that has challenged the military, major political parties and corporates, while continuing to operate independently within public and private spheres.</p>
<p>The presentation attempts to show how, by resisting not only the formal entities that have usurped power, but also the cultural norms that attempt to pigeon-hole cultural practice in terms of ‘fine art’, I as an individual artist, as well as worker in a commune, have tried to ensure that our ‘art’ does not limit itself to admiration in a gallery. It breathes the gunpowder laden air of street battles with police, the dank vapours of the factory floor and pervades the silence of patriarchal inner chambers.</p>
<p>Shahidul Alam<br />
8th January 2012<br />
Taipei</p>
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		<title>Lokkhi Terra Concert at Drik</title>
		<link>http://www.shahidulnews.com/2012/01/05/lokkhi-terra-concert-at-drik/</link>
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		<pubDate>Thu, 05 Jan 2012 15:51:15 +0000</pubDate>
		<dc:creator>Shahidul Alam</dc:creator>
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		<description><![CDATA[Subscribe to ShahidulNews Drik, Droom Café and friends of Lokkhi Terra have pleasure in inviting you to an evening of Cuban classics, Afro-beat, samba and funky world fusion music by Lokkhi Terra Jazz Quartet Kishon Khan – piano; Jimmy Martinez &#8230; <a href="http://www.shahidulnews.com/2012/01/05/lokkhi-terra-concert-at-drik/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<!--  END --><strong>Drik, Droom Café and friends of Lokkhi Terra</strong></p>
<p>have pleasure in inviting</p>
<p><strong> </strong></p>
<p><strong>you</strong></p>
<p><strong> </strong></p>
<p>to an evening of Cuban classics, Afro-beat, samba and funky world fusion music<strong> </strong></p>
<p>by</p>
<p><a href="http://www.shahidulnews.com/wp-content/uploads/2012/01/lokkhiIMG_1186.jpg"><img class="alignnone size-full wp-image-11199" title="lokkhiIMG_1186" src="http://www.shahidulnews.com/wp-content/uploads/2012/01/lokkhiIMG_1186.jpg" alt="" width="239" height="159" /></a></p>
<p><strong> </strong></p>
<p><strong>Lokkhi Terra Jazz Quartet</strong></p>
<p><strong> </strong></p>
<p><strong>Kishon Khan – piano; Jimmy Martinez – bass;</strong></p>
<p><strong>Javier Camilo &#8211; percussion, lead vocals; Tansay Omar – drums</strong></p>
<p><strong> </strong></p>
<h2>Venue: Drik Roof top terrace</h2>
<h3>Date &amp; Time: Friday, 6 January 2012 at 6:00 pm</h3>
<p>Twelve musicians are at the core of the band Lokkhi Terra and will mix traditions from around the world, using Bengali folk and groove as their starting points. They have all performed around the world at venues such as Ronnie Scotts, Royal Albert Hall, Royal Festival Hall, the House of Commons, Glastonbury and at Womad.  They were one of the critics&#8217; choices at this year’s Womad festival in the UK, and was the band chosen to perform at the closing ceremony of the South Asian Games 2010.</p>
<p>Lokkhi Terra&#8217;s two albums <strong><em>No Visa Required,</em></strong> and <strong><em>Che Guevara’s Rickshaw Diaries</em></strong>, received much critical acclaim around the world.</p>
<p>Full <a href="http://drik.net/wp-content/uploads/2012/01/Lokkhi-Terra-Press-Release-Final-04012012.pdf">Press Release</a></p>
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		<title>The Best Photo Books of 2011</title>
		<link>http://www.shahidulnews.com/2012/01/03/the-best-photo-books-of-2011/</link>
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		<pubDate>Mon, 02 Jan 2012 19:30:51 +0000</pubDate>
		<dc:creator>Shahidul Alam</dc:creator>
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		<description><![CDATA[Subscribe to ShahidulNews The list is in: our 50 favorites of the year, spanning fine art, photojournalism, culture and more By Jack Crager and Lindsay Comstock on December 1, 2011 Our 50 Favorite Books of 2011 In this always-on age &#8230; <a href="http://www.shahidulnews.com/2012/01/03/the-best-photo-books-of-2011/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<h2><a href="http://www.americanphotomag.com/article/2011/12/best-photo-books-2011">The list is in: our 50 favorites of the year, spanning fine art, photojournalism, culture and more</a></h2>
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<li>By Jack Crager and Lindsay Comstock on December 1, 2011</li>
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<h1>Our 50 Favorite Books of 2011</h1>
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<p>In this always-on age of tweets and tumblogs and tablets, of Flickr and Facebook, of “reality” programming and insta-celebrities, we’d like to pause a moment and look at some books. Remember books? Remember breathing?</p>
<h2>Documentary &amp; Photojournalism</h2>
<p>V<em>iews of a changing world from its most curious and insistent witnesses</em></p>
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<div><img title="From &quot;Tibet: Culture on the Edge&quot;" src="http://www.americanphotomag.com/files/imagecache/thumb_645w_narrow/wysiwyg_imageupload/11/Tibet.jpg" alt="729" width="645" height="430" /><a href="http://www.americanphotomag.com/files/wysiwyg_imageupload/11/Tibet.jpg">Expand</a></p>
<div>© Phil Borges</div>
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<div>From &#8220;Tibet: Culture on the Edge&#8221;</div>
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<p><strong>Tibet: Culture on the Edge</strong>, <em>Phil Borges</em><br />
<a href="http://www.rizzoliusa.com/book.php?isbn=9780847836918">Rizzoli</a><br />
In his fifth monograph, Borges explores both the indigenous lifestyles of the Tibetan people and their grand surroundings—each threatened by forces including industrial development, climate change and ongoing political tension between Tibet and the People’s Republic of China. Forged over 17 years of periodic visits, Borges’s affinity with the hardy natives informs the book’s illuminating text and warm portraits alike. <strong>$45</strong></p>
<p><strong>Is This Place Great or What</strong>,<em> by Brian Ulrich</em><br />
<a href="http://www.aperture.org/books/books-new/is-this-place.html">Aperture</a><br />
<strong>(See our interview with Brian and additional samples from <em>Is This Place Great or What </em><a href="http://www.americanphotomag.com/photo-gallery/2011/12/books-year-brian-ulrichs-place-great-or-what">here</a>)</strong>. In a decade-long survey of American consumerism, Ulrich casts a wry eye on the nation’s shoppers and employees in big-box outlets and thrift shops—contrasting boom-years decadence and bust-years desolation with chilling irony. <strong>$50</strong></p>
<p><strong>My Journey as a Witness</strong>,<em> by Shahidul Alam</em><br />
<a href="http://www.rizzoliusa.com/book.php?isbn=9788857209661">Rizzoli</a><br />
Seeking to preserve justice and human rights through the power of the lens, Alam depicts cultures of Bangladesh, China and Pakistan in compassionate black-and-white images punctuated by saturated color bursts. <strong>$50</strong></p>
<p><strong>Questions Without Answers: The World in Pictures</strong>,<em> by the Photographers of VII,</em><br />
<a href="http://www.phaidon.com/store/photography/questions-without-answers-9780714848402/">Phaidon</a><br />
Since its founding in 2001, independent photo agency VII has been responsible for some of the decade’s most significant documentary photography, as evidenced by this hefty collection of images from Alexandra Boulet, Ron Haviv, John Stanmeyer, Christopher Morris and others.<strong>$75</strong></p>
<p><strong>Memory Remains: 9/11 Artifacts at Hangar 17</strong>,<em> by Francesc Torres</em><br />
<a href="http://shop.nationalgeographic.com/ngs/browse/productDetail.jsp?productId=6200833&amp;code=TV50010">National Geographic</a><br />
The human impact of 9/11 is painted in relief through these poignant images of objects removed from New York City’s Ground Zero and stored at JFK airport, waiting to to be documented by the National September 11 Memorial and Museum. <strong>$50</strong></p>
<p><strong>The New York Times Magazine Photographs</strong>, <em>edited by Kathy Ryan</em><br />
<a href="http://www.aperture.org/books/books-new/nytm.html">Aperture</a><br />
Covering three decades, this volume showcases The New York Times Magazine’s reliable blend of ambitious photojournalism and inventive illustrative work. <strong>$75</strong></p>
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<div><img title="&quot;Afterwards&quot;" src="http://www.americanphotomag.com/files/imagecache/thumb_300w/wysiwyg_imageupload/11/Afterwards.jpg" alt="732" width="300" height="222" /></p>
<div>Thames &amp; Hudson</div>
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<div>&#8220;Afterwards&#8221;</div>
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<p><strong>Afterwards</strong>,<em> edited by Nathalie Herschdorfer</em><em>,</em><br />
<a href="http://www.thamesandhudson.com/9780500543986.html">Thames &amp; Hudson</a><br />
Photographers are naturally drawn to shooting disasters, not so much to what happens next. This aching collection spanning<br />
60 years shows what happens when they stick around. <strong>$50</strong></p>
<p><strong>Inauguration</strong>, <em>by Catherine Opie</em><br />
<a href="http://www.grmandco.com/publications/Opie.html">Gregory R. Miller</a><br />
Opie commemorates the inauguration of the first black U.S. president, Barack Obama, in shots of personal candor and celebratory energy. <strong>$50</strong></p>
<p><strong>Hard Ground</strong>, <em>by Michael O&#8217;Brien,</em><br />
<a>University of Texas Press</a><br />
O’Brien turns his lens on the homeless, lending them a quiet dignity in portraits made all the more moving by poetry from singer-songwriter Tom Waits. <strong>$40</strong></p>
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<div><img title="From &quot;Permanent Error&quot;" src="http://www.americanphotomag.com/files/imagecache/thumb_645w_narrow/wysiwyg_imageupload/11/FromPermanentError.jpg" alt="733" width="645" height="639" /><a href="http://www.americanphotomag.com/files/wysiwyg_imageupload/11/FromPermanentError.jpg">Expand</a></p>
<div>© Pieter Hugo</div>
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<div>From &#8220;Permanent Error&#8221;</div>
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<p><strong>Permanent Error</strong>, <em>by Peter Hugo</em><br />
<a href="http://www.randomhouse.de/book/Permanent-Error/Pieter-Hugo/e365844.rhd?pub=58500">Prestel</a><br />
Documentarian Hugo delivers a gripping account from Ghana: At the Agbogbloshie dump outside Accra, men and children filter through electronic waste for scraps and metal that can be melted down and sold for tiny profits. The haunting scenes from these breathtakingly toxic waste grounds powerfully signal the hazards of electronic consumption and planned obsolescence. <strong>$50</strong></p>
<p><strong>A Window on Africa: Ethiopian Portraits</strong>, <em>by Hans Silvester,</em><br />
<a href="http://www.thamesandhudson.com/9780500515624.html">Thames &amp; Hudson</a><br />
Silvester’s portraits of natives reveal their steely characters and changing lifestyles in the face of modernity. <strong>$40</strong></p>
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		<title>Meanwhile, In Bangladesh&#8230;</title>
		<link>http://www.shahidulnews.com/2012/01/03/meanwhile-in-bangladesh/</link>
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		<pubDate>Mon, 02 Jan 2012 19:11:12 +0000</pubDate>
		<dc:creator>Shahidul Alam</dc:creator>
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		<description><![CDATA[Subscribe to ShahidulNews Sayed Asif Mahmud channels Moriyama for an expressive view of his city and country By Dan Abbe on October 20, 2011Expand © Sayed Asif Mahmud From &#8220;My City of Unheard Prayers&#8221; The work of Sayed Asif Mahmud is my &#8230; <a href="http://www.shahidulnews.com/2012/01/03/meanwhile-in-bangladesh/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<h3>By Dan Abbe on October 20, 2011<img src="http://www.americanphotomag.com/files/imagecache/article_645x__white/Sayed_Asif_Mahmud_My_City_of_Unheard_Prayers_001_large.jpg" alt="" width="645" height="430" /><a href="http://www.americanphotomag.com/files/imagecache/lightbox_980x980/Sayed_Asif_Mahmud_My_City_of_Unheard_Prayers_001_large.jpg">Expand</a></h3>
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<p>© <a href="http://www.lightstalkers.org/sayed-asif-mahmud">Sayed Asif Mahmud</a></p>
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<p>From &#8220;My City of Unheard Prayers&#8221;</p>
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<p>The work of <a href="http://www.lightstalkers.org/sayed-asif-mahmud">Sayed Asif Mahmud</a> is my first exposure to the photography culture of Bangladesh, but it&#8217;s certainly given me the desire to explore further. Although these technically rough photos would probably make your high school photography teacher wince, they’re not the result of carelessness. In fact, they can be placed within a larger tradition of messy black-and-white snapshot photographers like Daido Moriyama and Antoine D&#8217;Agata. But let&#8217;s leave aside these figures for the moment, and look at Asif Mahmud&#8217;s work on its own.</p>
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<p><img title="From &quot;My City of Unheard Prayers&quot;" src="http://www.americanphotomag.com/files/imagecache/thumb_645w_narrow/wysiwyg_imageupload/11/Sayed_Asif_Mahmud_My_City_of_Unheard_Prayers_004_large.jpg" alt="686" width="645" height="430" /><a href="http://www.americanphotomag.com/files/wysiwyg_imageupload/11/Sayed_Asif_Mahmud_My_City_of_Unheard_Prayers_004_large.jpg">Expand</a></p>
<div>© <a href="http://www.lightstalkers.org/sayed-asif-mahmud">Sayed Asif Mahmud</a></div>
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<div>From &#8220;My City of Unheard Prayers&#8221;</div>
<div>© <a href="http://www.lightstalkers.org/sayed-asif-mahmud">Sayed Asif Mahmud</a></div>
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<p>There are a few different series on Asif Mahmud&#8217;s site, but I&#8217;m particularly interested in &#8220;<a href="http://www.lightstalkers.org/galleries/contact_sheet/26858">My City Of Unheard Prayers</a>,&#8221; a series of photographs taken at night which seems to boil his work down into its most basic elements. He&#8217;s using light and shadow (also the title of <a href="http://www.japanexposures.com/books/product_info.php?products_id=10352">a Moriyama book</a>) in a very primal way. The light in the frame usually doesn&#8217;t show us any &#8220;thing,&#8221; but rather a texture, or an opening, or a reflection. We could say that the photograph showing a man&#8217;s face the most clear, in that there is a proper subject to look at. But even in this photo, it&#8217;s difficult to focus on his face, instead of the haze which shrouds it. What can the shot of cars on wet cement tell us? It looks like they&#8217;re only there to illuminate the scar-like texture of the road, which holds the image together.</p>
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<p><img title="From &quot;My City of Unheard Prayers&quot;" src="http://www.americanphotomag.com/files/imagecache/thumb_645w_narrow/wysiwyg_imageupload/11/Sayed_Asif_Mahmud_My_City_of_Unheard_Prayers_011_large.jpg" alt="687" width="645" height="430" /></p>
<div>© <a href="http://www.lightstalkers.org/sayed-asif-mahmud">Sayed Asif Mahmud</a></div>
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<div>From &#8220;My City of Unheard Prayers&#8221;</div>
<div>© <a href="http://www.lightstalkers.org/sayed-asif-mahmud">Sayed Asif Mahmud</a></div>
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<p>Some part of me knows that these photographs don&#8217;t represent what Dhaka is &#8220;actually like.&#8221; “My City Of Unheard Prayers” presents a highly stylized vision, which is what allows me to imagine that a road could have a scar in the first place. It is possible to say that this gritty, high-contrast black-and-white style has already been done to pieces by Moriyama and others&#8211;Asif Mahmud has a <a href="http://www.americanphotomag.com/article/2011/10/%E2%80%9Dhttp://www.lightstalkers.org/images/show/1240628%E2%80%9D">dog photo</a> to match <a href="http://www.google.com/search?q=moriyama+dog&amp;um=1&amp;ie=UTF-8&amp;hl=en&amp;tbm=isch&amp;source=og&amp;sa=N&amp;tab=wi&amp;biw=1920&amp;bih=979">Moriyama&#8217;s most famous shot</a>. This would miss the point, though. The style itself is accessible to anyone with a camera and film. (This does actually exclude a great number of people.) If we think of the style as a kind of language, spoken by Moriyama, D&#8217;Agata and others, Asif Mahmud has developed his own vocabulary&#8211;or, you know, &#8220;found his voice,&#8221; if you prefer. It makes the rest of his work, which includes a series about the<a href="http://www.lightstalkers.org/galleries/contact_sheet/29194">tobacco trade</a> in Bangladesh, all the more compelling.</p>
<p>[via <a href="http://www.beikey.net/mrs-deane/?p=6354">Mrs. Deane</a>]</p>
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<p><img title="From &quot;My City of Unheard Prayers&quot;" src="http://www.americanphotomag.com/files/imagecache/thumb_645w_narrow/wysiwyg_imageupload/11/Sayed_Asif_Mahmud_My_City_of_Unheard_Prayers_008_large.jpg" alt="688" width="645" height="430" /></p>
<div>© <a href="http://www.lightstalkers.org/sayed-asif-mahmud">Sayed Asif Mahmud</a></div>
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<div>From &#8220;My City of Unheard Prayers&#8221;</div>
<div>© <a href="http://www.lightstalkers.org/sayed-asif-mahmud">Sayed Asif Mahmud</a></div>
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<hr /><em>Dan Abbe is a writer and photographer working in Tokyo. He writes a blog about Japanese photography, <a href="http://street-level.mcvmcv.net/">Street Level Japan</a>. On Twitter he&#8217;s <a href="http://twitter.com/d_abbe">@d_abbe</a>. Syed Asif Mahmud is a <a href="http://www.pathshala.net">Pathshala</a> alumni</em></p>
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