The photographs were shockingly graphic, detailing the torture and execution of men suspected of collaborating with pro-Pakistani militias during Bangladesh?s 1971 war for independence. Featured on front pages and magazine covers around the world, they provoked outrage and won awards, including World Press Photo and a Pulitzer ? both shared by Horst Faas and Michel Laurent.
Only three Western photographers were on the scene of the executions: Mr. Faas, Mr. Laurent and Christian Simonpietri. The Magnum photographer Marc Riboud left the scene minutes before and later said he did so because his presence was only encouraging the brutality.
But there was another photojournalist there, whom the others didn?t know: Rashid Talukder, who worked for a Bangladeshi newspaper. Though he also made dramatic images, he did not publish them. He couldn?t. Mr. Talukder knew that ? unlike the foreign photographers ? he would not leave Bangladesh and dash to the next overseas hot spot. He would be staying. And the men behind the executions were among the most powerful in the country.
Instead, he kept the images to himself for more than 20 years.
Mr. Talukder?s photo (Slide 2) remained stashed away until 1993 when Mr. Alam convinced him that there was no longer extreme danger in publishing the images in Bangladesh. It was published in The Daily Star along with an article by Mr. Alam. They were later exhibited publicly by Mr. Alam in Dhaka in 2000.
While Mr. Talukder is virtually unknown outside of Bangladesh, he was one of the foremost chroniclers of the struggle for independence, photographing its origins in the language movement of the 1950s and continuing through the war?s aftermath.
Now hailed as a founding father of Bangladeshi photojournalism, Mr. Talukder made some of the most important images of the war, which by some estimates claimed one million lives and turned 10 million of his countrymen into refugees. He also documented everyday life in Bangladesh during his 46-year career, during which he worked for the newspapers The Daily Sangbad and The Daily Ittefaq.
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