Bangladesh, standing on the edge

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Preface by Christian Caujolle

Expressions, hands, faces, presence and pain, tenderness and anxiety, light and encounters, questions and determination as well as a thousand other things run through Munem Wasif‘s photographs.

The way Wasif takes his photographs can be summed up into two ways: people and the frame. He definitely belongs to a humanist tradition, contemporary in content for the attention he gives to people and to the way they live, what they have to endure and all they bear in today’s pitiless world, disrupted, torn by drastic climatic changes and economic speculation. A world where speed is queen and profit king inconsiderately leaving on the wayside the rejected that it spawns. It is salutary that an eye such as Wasif’s reminds us that these things exist, that there are men, women, children, “little people” like us who have to withstand much more than we do.

In photography, the approach and the representation of suffering and exclusion are often entangled in a jumble of good intentions, generous in intention, they call for tearful compassion, with clichéd images that end up making us weary, forever repeating themselves, they end up by anaesthetising our capacity to react. Wasif produces the opposite effect. He makes us question and makes us concerned.

This is done with so little and at the same time goes to the essential. We can not doubt his commitment to those he photographs, the excluded, the victims, panic-stricken by a world ruled by the race for profit and blinded by immediate return based on solely commercial value. He puts this world into form, radical in its description, he imposes it and gives it to us to see clearly.

This is where the frame comes in. A way of focusing in on the world, to sum it up in a series of specific points of view, classic in their composition, forcing us to see and to perceive their intention.

Munem Wasif‘s frames are clean-cut, precise, almost cold. Without flourish. He asks us to look, to perceive, to take a stand. Therefore to act.

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Wasif’s work will be shown at Visa Pour la Image at Perpignan. He won the City of Perpignan Young Reporter’s Award for 2008. He graduated from Pathshala, The South Asian Institute of Photography, and works at DrikNews. His work is represented by Agence VU and Majority World.

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0 Responses to Bangladesh, standing on the edge

  1. Hi,
    I love these pictures. It’s powerful and like almost being there. Wish I could see more of his work.
    I’m a fan.

    Gopal

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