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Detained in India, Arrested in Bangladesh

June 25th, 2009 | 11 Comments | Posted in Bangladesh, Global Issues

SHAHIDUL ALAM IN AN INTERVIEW WITH RAHNUMA AHMED

Detained in India, Arrested in Bangladesh

[Rahnuma Ahmed interviewed Shahidul Alam in Dhaka, on Saturday, 20 June 2009. The interview was an hour long, this is a short version, the complete interview will soon be uploaded at http://www.shahidulnews.com/ ].


From left to right, BSF personnel calling out to Shahidul Alam to come to the gate; Shahidul crossing unmarked scrubland to reach the BSF gate; BSF personnel open the gate and drag Shahidul in.
— Frame grabs from video footage taken by Sumeru Mukhopadhyay and Abul Kasem of Drik AV.

Please tell us about your project and why were you detained by the Indian Border Security Forces.

I started the Brahmaputra project in the late 90s. It’s an incredible river that goes from Tibet through Arunachal and Assam in India, into Bangladesh and all the way into the Bay of Bengal. In the early part of the project I’d done some video footage in Tibet and India, but not any in Bangladesh. We at Drik felt that we should try and produce a film, so my colleagues in the Audio Visual department, Sumeru Mukhopadhyay and Abul Kasem, and I went off to Nijhum Deep in the south, in the Bay of Bengal on 11th June for 3 days.

We returned to Dhaka, then went to Rowmari on the 15th to photograph the section of the river where it crosses from India to Bangladesh. We drove up to Chilmari, went by boat to the Rowmari side, found a guest house. It was late afternoon, and we thought we should go out on a recky. As photographers we had obviously cameras, and I had a video camera with me.

As it often happens in villages, distances are not the same as we measure it in the city, so whenever we asked people where it was, they’d say, `just out there,’ `a little bit further,’ `ten more minutes…’ We ended up travelling quite a long way, by van, a little by boat, then we walked through market places, by peoples homes, with cameras dangling on either side, three strangers, creating a lot of attention.

At one point we were walking across some paddy fields, and an elderly farmer stopped me and said, this is a difficult way to go, why don’t you go on to the road which is nearby. This was a clay track road, very overgrown, not much of a road, but soon after I got on to this road armed BSF (Indian Border Security Forces) people from the other side of the fence beckoned me. I knew this was a dangerous situation. I knew that 52 Bangladeshis had been gunned down by the BSF during the last 6 months. I was possibly only 50 yards away — well within their shooting range. It wasn’t sensible to do anything other than comply. So I walked calmly towards them, making plans about how I should proceed.

As I had sort of expected when I got close to the gate, they opened the gate, several of them ran out and literally dragged me inside. And locked the gate. I was well and truly within India.

You mean, there were no border signposts?

No, there was absolutely no sign mentioning territory, or that we were crossing into restricted zone, whether it was no man’s land or anything else. These were paddy fields we were walking across. When I got onto this dirt track, there was still no sign. One could see there was the Indian border far away, one could certainly see the fence. And it was soon after I got onto the dirt track that the BSF beckoned me. But before that, there’d been absolutely no indication that we were outside anywhere of Bangladesh.

But what about BDR soldiers?

No, none. Certainly we’d expected there to be BDR jawans and other people, or at least some sort of an indication near the border, but there weren’t any.

After the BSF pulled you into their gates, what happened? Did they assault you?

No. They came out and grabbed me, and dragged me in. They (how many were they?) about 5 or 6, there were more inside, they were a bit rough in dragging me in but I wouldn’t say I was assaulted.

As a seasoned photojournalist, how did you strategise, to get out of this situation?

Well, since I was in their firing range what was most important was to stay alive. Once inside, there was the question of avoiding physical violence. I felt I would be much safer in the hands of senior officers than in the hands of jawans, trigger happy jawans in particular. Knowing the history between BSF and Bangladeshis, I felt that presenting myself as a Bangladeshi was going to be suicidal.

I made the decision that I was going to be a foreign photographer, out on an assignment. I decided I would speak only in English. I did have Bangladeshi identity with me which I didn’t want to show. I also had a UK driver’s license, so it made sense for me to be British. I mentioned National Geographic because that was a known name and even out here the jawans might have heard of it. I also calculated that bringing in a US component could give me some sort of insularity, given the power of the US, and the fact that India was its close ally. As for the National Geographic, I am on their Advisory Board.  I give a lecture there every year, I’m involved in many of their seminars so I do have a long relationship with the organisation but I wasn’t on assignment for them.

My initial attempt at convincing them that I was a foreignor with British and US connections was merely power play. I was trying to make sure the jawans felt I wasn’t some Bangladeshi they could beat up and kill, but someone from far away, who had better connections. And frankly, I was using the race and class card.

What happened after that?

Well, talk of the National Geographic, of being British, shook them a little bit. Of course, I pretended I didn’t speak Bangla or Hindi. I heard them talking amongst each other, saying that perhaps it wasn’t such a good idea to take a foreignor, perhaps they should let him go.

I decided to push my luck further. I said, unless you let me speak to my National Geographic colleagues they might report to head office. Then I rang you, my partner, and I spoke to you in my best British accent. I remember it took you a little while since we don’t speak to each other in English, but you quickly twigged. More for the audience than for anyone else, I fairly loudly told you to inform the Prime Minister, the Home Minister, the BDR people, the BSF head etc. I pulled names out of my hat willy-nilly, but making sure they were important-sounding names, so that that these jawans recognised that I was a very important person, with important connections.

How were you treated by BSF once they knew that you were a big shot photographer?

Once the officers arrived, I felt, I was more in control. They wanted to look at my identity card, asked for my address. Soon, the officer, a Mr P K Roy, a Bangali, was convinced that I was not an ordinary Bangladeshi but probably an important foreign photographer. Their attitude began to change. He asked the jawans to get me a cup of tea.

Later, he got a phone call, from obviously a senior person on his side, who presumably told him that I should be released, that I should be taken good care of. Now, it was a question of the information percolating down to the lower levels of command, and getting a written confirmation from his immediate superiors before he could release me.

Much later, sweets were bought from the market. The tone of the conversation, and the dynamics, changed completely. But, as it was getting dark, they were convinced no handover would take place at night. I was taken to a guest house nearby, into a room, with a television, a telephone with a handle, a bed, an attached bathroom. Very clean, very pleasant place, and given dinner. Mr P K Roy was very concerned that I was made to feel looked after. I spoke to his commander who was extremely polite, apologised for the situation, and said that the BDR had been informed. I would be handed over to the BDR, as soon as communication took place. I thanked him, and assured him that I was being well looked after. It was a very civil conversation.

What were your concerns then, as a photographer?

I’d been taking pictures along the way. I’d been shooting with a wide angle lens. I was pretty certain that my wide angle shots, my landscape photos etc., would have segments of the space I was going through, which I now realised was illegal. I didn’t want to get caught with these pictures, so I worked out how to remove this incriminating evidence.

What happened after you were handed over? It was at 11:15, right?

Yes, around then. It was pitch dark, dense shrubbery, bad roads. We came to a point where Mr P K Roy said this is where the sign is [Indian no man's land begins]. So I said, well, please show me the sign. They looked around, but couldn’t find it. They apologised and said, please believe us, it’s here, we can’t find it right now. Then they met the BDR people, again, a very civil meeting. The BSF produced a document for the BDR to sign, when I was handed over.

Once the Indians left, the BDR subedar got a phone call from his commanding officer.  He spoke to me then, and initially accused me, apni lukie gecchen, yoy sneaked into this place. I strongly objected because we’d come in broad daylight, three of us, we had equipment, we had asked people for directions. He then changed his tack. He said there were some formalities which I had to go through, papers I needed to sign. Of course, I agreed.

And did you learn from the Kurigram BDR, how they came to know of your detention by BSF? Was it locally, or from Dhaka?

No, I found out later from conversations, they’d received the information from Dhaka. In fact, the subedar was very worried about this. When the BDR Director General had rung from Dhaka, he had specific information about where I was. But the local-level BDR hadn’t a clue.

And why do you think those at the local-level didn’t know?

I was told about this later. I was chatting to them and they said, we’d normally have known. It would’nt have occurred but we had some VIP guests. We had been busy entertaining the VIPs.

And after that…?

Initially, we went to the BDR camp, three of us on a motorcycle, miles away from where this incident took place. They offered me food which had apparently been prepared for the VIP guests so it was good food. They kept saying another 5-10 mts, but after a long time, I said look, what’s going on here, I want to get back. We eventually started walking but instead of taking me to the guest house, they took me to the thana. Another long wait, close conversations between BDR personnel and police. At one stage, I said, I’m very appreciative that you’ve got me out of India. But I’m now a citizen in my own country, you have no right to keep me here unless you’re arresting me for something.  I got up to walk away and that’s when I realised they weren’t going to let me leave the place. By then I learnt from local people who had come to the thana that the BDR was about to file a case against me. At this stage I rang you again, this was about 2:30/3:00 in the morning. Shortly after this, they confiscated my cameras, and my phone. I no longer had direct access to anyone.

So, why did the Bangladesh govt file a case against you?

It’s conjecture of course. The local BDR were extremely worried about the predicament they were in. The fact that they had no knowledge of this incident, that the border had been completely un-manned, that there was no BDR person in sight, that they didn’t know about it even after the local people had gotten to know. It left them with egg on their face. And again, the original accusation by the colonel suggested that there was an attempt to put the blame and onus upon us, that we had sneaked into this place, which was clearly not true. So, there was huge negligence on the part of the BDR, and I suspect they needed some sort of a diversionary tactic to cover up for their omission.

Did your bail application and the court proceedings go through smoothly?

Yes, everyone was very cooperative. I was also granted permission to travel abroad. I am scheduled for an exclusive photo shoot with Nelson Mandela, and there are other important assignments that I wouldn’t like to miss, yes, things went very well. Most Kurigram lawyers and journalists were they. They rallied around me.

If you were not who you are, what could have happened?

Possibly, the worst. The BDR men themselves told me that I’d done a very wise thing by walking up to them, not attempting to run, or doing anything silly. They said, they were scared to go to these places. That, sometimes, criminals take shelter from the police by going to these regions because they know that the police is scared of venturing there. So, by all concerned it was known to be dangerous territory. That there was a huge amount of harassment, they themselves felt harassed, and certainly ordinary people were harassed, but what they kept coming back to everytime was, you’d probably have been dead.

You saw the fence built by the Indian government at close quarters — probably closer than you had planned (laughter, audible) –  I’d like to know what you think of that.

I have been to many countries. I have seen many borders. I know of the Palestinian border, but outside of that this is certainly the most imposing, dominating, scary, border post that I have come across. I’ve gone across the Germany-Poland border, where you’ve had surveillance equipment, you’ve had people with night shooting guns, but in none of those situations have I seen anything that looks as scary as this particular fence. The fact that we are neighbouring countries, the fact that we are meant to have a friendly relationship, is no way signified by the presence of a physical entity of this sort.

One of the things that also worries me is that there are many people who have friends, relatives, very close ones across the border, they have to travel one day to get to Rajshahi, apply for a visa a month in advance, the costs, the time, the preparation, all of the things that need to be done merely to be able to go across to visit a near one, simply cannot be condoned.

Considering that India has played such an important role in the liberation of Bangladesh, one would have expected a very, very different relationship between these two countries. Considering that we call ourselves members of Saarc, we’d expect far more cordial relations between ourselves. The fence, the fact that the BSF is so trigger-happy, the fact that 52 Bangladeshis have been gunned down in the last 6 months, the fact that it is a zone of terror for local people and for our BDR, speaks volumes of what it should not be about.

How high is the fence?

The gate itself, I’m trying to remember now, large black gates, double gates, about ten feet tall, 20 feet wide, I think. But the fence, the barbed wire extends above that, [what, it extends above the gate?] well, not above the gate itself, but it’s higher than the gate, stretching on both sides, as far as the eye can see.

It’s still quite early, but how do you look back at the incident?

That’s a big question. My first concern is that I have to finish my story so I have to work. The story is incomplete, it needs to be told, not only the Brahmaputra story, but given this situation, the border story. I think it becomes even more important today, knowing what I do now, that we question the structures that makes such a situation possible. But, before anything else, I need to thank the many, many people who have done so much for me over this period of time.

And again, I reflect upon this in a different way. Obviously, I am happy that I am out of danger. But I also reflect upon two issues, one, the fact that while I was detained and later released by India, I have actually been arrested by my own country in the course of doing what happens to be my duty, what is in the public interest. I also think it is important to reflect on the fact that at a political level, at an official level, there are these huge differences between our nations, but at a human level, at a personal level, there exists huge cameraderie. Some of the people who did the most in getting me released were my colleagues, my journalist friends across the border in India, and of course, Mahasweta Devi. She had, as you know, inaugurated CchobiMela V, so, in a way this reflects how we as professionals, as artists, as individuals, have this cameraderie, have this openness, have this mutual respect, have this pull toward each other, which does not seem to be reflected by the people who govern our nations.

Thank you very much.

Published in New Age on 22nd June 2009

Video on Channel 4

No wo/man’s land

June 18th, 2009 | 11 Comments | Posted in Bangladesh

Well it’s been well over 48 hours since I had a proper sleep. In the last 24 hours. I have been detained by the Border Security Forces (BSF). Handed over at midnight through a flag meeting between the BSF and BDR (Bangladesh Rifles). And then, ironically, sued by the BDR and arrested by Bangladesh police for trespass. I then spent the night (or what was left of it) in the police station. Had my equipment and mobile phone confiscated. We then went by jeep, on foot and by boat on the following morning to the nearest court about three and a half hours away.

I’ve now been given bail, but the case still stands. Next hearing on the 5th July 2009.

We were overwhelmed by the support we received, some from unusual sources. It was a genuine test of friendship as some of the people who were most forthcoming were people we had been critical of in our writing and activism. So very encouraging to know we can disagree and still respect each other. Remain friends.

They had confiscated my digital SLRs, but I had other means at my disposal, and I still managed to sneak some messages out…

Rahnuma managed the control room briliantly and was my primary contact with the world.

Especial thanks to Nurul Kabir and Farooq Sobhan, as well as Azizur Rahim Peu, and my splendid colleagues and students at Drik, Pathshala and DrikNews and BLAST and the lawyers who represented me and the many many friends from all over the globe who ensured that I am around to photograph another day.

While I would not recommend this experience as standard practice, it was hugely reassuring to know I have so many loving friends, from all walks of life, and pretty much from everywhere.

Thank you all. I promise to continue making some people uncomfortable.

Shahidul

ps: sorry, can’t upload the more interesting images as the case is still pending.

Related links:

http://www.dw-world.de/dw/article/0,,4337103,00.html

http://www.mediahelpingmedia.org/content/view/391/1/

http://unheardvoice.net/blog/2009/06/16/shahidul-alam/

http://www.mediahelpingmedia.org/content/view/390/1/

http://twitter.com/helpingmedia

http://bangladeshwatchdog.blogspot.com/

http://www.bdnews24.com/details.php?cid=2&id=87449&hb=2

Sweets from BSF (Border Security Forces, India) when my VIP status had been established.Sweets from BSF (Border Security Forces, India) when my VIP status had been established. © Shahidul Alam/Drik/Majority World

Trying to get some sleep on one of the tables at the police station.Trying to get some sleep on one of the tables at the police station. © Shahidul Alam/Drik/Majority World

 

Sneaked self portrait in police stationSneaked self portrait in police station. © Shahidul Alam/Drik/Majority World

 

From: drikbashi-bounces@lists.drik.net [mailto:drikbashi-bounces@lists.drik.netOn Behalf Of Rahnuma Ahmed
Sent: Wednesday, June 17, 2009 4:53 PM
To: Naeem Mohaiemen
Cc: Nava Thakuria; nil abir; jabber hossain; Nasrin Khondokar; zakir kibria; taslima_74@yahoo.com; Zafar Sobhan; Drikbashi; Hana Ahmed; mala mukerjee; Brian Palmer; Nasir Mamun; Tarek Chowdhury; David Brewer; Saleem Samad; rupafarzana@yahoo.com; Bruce Currey; moinul saber; Khademul Islam;KevinMcDermott@collectintel.com; munni saha; saiful islam; Mirza Taslima; Arafatul Islam; Azizur Rahim Peu; smaltaf@drik.net; Asif Saleh; willem van schendel; kona; Fariha Karim; Suvendu Chatterjee; Meghna Guhathakurta; Jeroen Jonk; Ragni M. Kidvai; bablu changma; M. A. Akond; Nayanika Mookherjee; Shunling Chen; gitiara nasreen; Anu Mohammad; Shireen Huq
Subject: [Drikbashi] Re: Shahidul Alam under arrest
 
dear friends
 
i want to thank each and every one of you – and also all others who i’ve probably forgotten to put in this list – who have for the last nearly 24 hours done everything  they could and more, to make sure he got released, first from BSF detention, and today morning, after recovering from the shock that he’d been arrested again (this time by the bangladeshi police), jumped back into keeping up the unrelenting pressure which made it possible for him to walk out of the courthouse with bail.
 
in the last 24 hours, i have not, not even for a fraction of a second felt alone, because of you. saying `thank you’ is most inadequate, i can only hope that my words will be able to convey something of what i feel.
 
however, i’m afraid there is bad news: i spoke to shahidul immediately after he came out of the courthouse, and said, `so, you didn’t get to eat jail er bhaat (prison food)?’
 
he replied, `oh i;m sure there’ll be many opportunities in future!’
 
i hope that even after knowing this we will still remain friends!
 
the next e-mail will be from shahidul, or probably a blog posting. he’s expected to return to dhaka tonight.
 
hugs/in solidarity from everyone at drik, and me,
 
rahnuma
 
 
On Wed, Jun 17, 2009 at 3:02 PM, Rahnuma Ahmed <rahnumaa@gmail.com> wrote:
LATEST UPDATE: Shahidul has gotten bail!
 
in solidarity/r
On Wed, Jun 17, 2009 at 2:54 PM, Rahnuma Ahmed <rahnumaa@gmail.com> wrote:
 
UPDATE: Shahidul stepped into the Judicial Magistrate’s court 2/3 minutes ago. Earlier he signed a power of attorney which empowers his lawyer to represent him.
 
 

On Wed, Jun 17, 2009 at 12:54 PM, Rahnuma Ahmed<rahnumaa@gmail.com> wrote:
> UPDATE:
>
> Shahidul has reached Kurigram. On his way to Kurigram, he had been
> instructed to go to the police station first, there his confiscated camera
> and mobile phone were returned to him. He is now on his way to the court
> house.
>
> On Wed, Jun 17, 2009 at 11:28 AM, Rahnuma Ahmed <rahnumaa@gmail.com> wrote:
>>
>> UPDATE:
>>
>> Shahidul is on his way to the court in Kurigram. In the same boat are his
>> colleagues, Sumeru Chakravarty and Abul Kashem. Also, police headed by ASI
>> Amir Ali. Since Sumeru is in the same boat, I have been able to speak to
>> Shahidul, and also, to remain updated of what’s happening, through Sumeru.
>>
>> An influential lawyer of the Kurigram Bar Association Advocate Siddiqur
>> Rahman has consented to represent him, the Vice President of the Bar
>> Association Advocate Abdul Khaleque will also be present at the hearing. If
>> they can reach Kurigram court by 11:30, it is expected that the hearing will
>> take place today. By all indications, he is expected to get bail.
>>
>> I am overwhelmed by messages of support and concern expressed by friends
>> in Bangladesh, and abroad. And the stupendous all-out efforts being made to
>> ensure a speedy bail. My heartfelt thanks to each and everyone of you.
>>
>> Members of Manobadhikar Shangbadik Shomiti (Journalists for Human Rights)
>> have already reached the court premises. Kurigram Press Club members have
>> been informed, who have said they will be present at the bail hearing, with
>> food! Uttar Bongo Shangbadik Parishad (North Bengal Journalists Council) has
>> also been informed and their members will also show up at the court, to
>> rally support for Shahidul.
>>
>> in solidarity/r
>>
>> On Wed, Jun 17, 2009 at 7:43 AM, Rahnuma Ahmed <rahnumaa@gmail.com> wrote:
>>>
>>>
>>> Last night at 3am on Thursday 17 June, renowned Bangladeshi
>>> photojournalist Shahidul Alam telephoned from Rowmari thana to say he had
>>> been arrested. A case was filed by SI Amir Ali (0191-401-8992) of Rowmari
>>> thana under the Control Entry Act/4,1978 Bangladesh (case number 6, dtd
>>> 17.06.2009). Shahidul spent the night in custody at the thana. He is due to
>>> appear at court today, Thursday 17 June, and is expected to apply for bail.
>>> His camera and phone have been confiscated.
>>>
>>> The case follows his arrest, and subsequent 6 hour detention (including
>>> interrogation) yesterday, Wednesday 16 June, around 6.10pm, by Indian border
>>> guards, BSF, while taking photographs for his Brahamaputra river project,
>>> one that encompasses China, Mongolia, Tibet, and India, and has been carried
>>> out over several years. While taking photographs in the Bangladeshi side,
>>> BSF guards had asked him to come over, and then detained him at Sahapara 21
>>> IPP, across the Memokar Char border, Rowmari, Kurigram
>>>
>>> I appeal to all, on behalf of Drik to work for a speedy bail, and no
>>> unnecessary harassment.
>>>
>>> In solidarity,
>>>
>>> rahnuma ahmed
>>>
>>> rahnuma 01819-245-881
>>> saydia gulrukh 0191-340-0075
>>> fariha karim 01745-770-851
	being-brought-in-for-trial-shwopon-kurigram-bangladesh-17-june-2009
  

Shahidul Alam being brought in for trial. Kurigram. Bangladesh. 17th June 2009. © Swopon/DrikNews/Majority World

 

 

media-at-kurigram-court-shwopon-kurigram-bangladesh-17-june-2009Shahidul being interviewed by media-outside Kurigram Court. 17th June 2009. © Swopon/DrikNews/Majority World
shahidul-at-bar-association-after-bail-shwopon-kurigram-bangladesh-17-june-2009Shahidul Alam  at Bar Association after being released on bail. Left, Advocate Siddiqur Rahman who filed bail petition  On right Advocate S S M Yunus Chowdhury Pakhi of BLAST, the organisation which formally supported the defence. Kurigram. June 17th. 2009. © Swopon/DrikNews/Majority World

Charge Of The Light Brigade

 
 
From Tehelka Magazine, Vol 6, Issue 19, Dated May 16, 2009
CULTURE & SOCIETY  
photo essay

Charge Of The Light Brigade

Bangladesh’s award-winning photographers are subverting the first world lens, says SHAHIDUL ALAM

LATE IN 1990 we knew we had a photographic movement on our hands in Bangladesh. General Ershad had imposed strict censorship laws and in protest all the newspapers had stopped publishing for a few weeks. But everyone was still working. We planned to paste the photographs that we took of the unfolding events, surreptitiously at night on the Press Club walls, knowing the police would take them down as soon as they were spotted. We hoped at least some people would see them. Then, suddenly General Ershad stepped down. So we showed the photos at the small gallery of the Art College, Dhaka. We printed on cheap paper and had a crude, impromptu show. Over the next three days four lakh people saw the show. We nearly had riots.

The photographic movement in my country began with the Bangladesh Photo-graphic Society in the mid- 1970s, largely as a camera club where professionals and amateurs got together. I’ve been judging camera club contests around the world. Except that in Iran they do not have pictures of naked women by waterfalls, camera clubs do not vary much from country to country. In 1984, when I joined I was very interested in introducing documentary work and photojournalism. At the time there was considerable friction between Bangladeshi photojournalists and the camera club.The camera club thought their work contributed to the art form and the photojournalists thought the camera club was only into pretty pictures. (Which was the truth, as you would guess from photographs titled Composition 1, Study 2).

BUT SEVERAL events contributed to the growth of the Bangladeshi photography movement. In the mid 1980s we started some basic courses in photography. We set up a very bare, basic gallery. In 1989, I set up Drik, a photo agency. For each of these initiatives we built infrastructure from scratch and got nothing from the government. In 1993, Drik even created Bangladesh’s first email network — how could we run a photo agency without communicating with the world?

We had a crude, impromptu show. Over the next three days four lakh people came. We nearly had riots

In 1998, World Press Photo kicked off a training programme in Bosnia, Peru, Zimbabwe and Bangladesh. We were already conducting workshops but felt our students would benefit with continuity. So we took the plunge and started Paathshala, a photography school in Dhaka. We had one room, some bricks for another room, an old slide projector and 12 students. But we had fine teachers from Bangla desh and abroad. Later, we made another leap and start ed a selfproclaimed BA course. Today we have nearly 140 students, and all the photographers in Bangladesh’s media houses are former Paathshala students. We teach the MA photography course at Dhaka University though the government has still not recognised our programme!

When Chobi Mela happens, all of Bangladesh talks about nothing else. Chobi Mela is the annual photography festival which we have organised since 2000. This year, there were over 60 exhibitions, 35 participating nations, well over 1,000 images, over 50 visiting artists from Asia alone and two lakh visitors. Mahasweta Devi, Noam Chomsky and Stuart Hall spoke via live video broadcasts.

Decades ago, I invited the security guards and caretakers from the company I worked in, to my first show. Later I found out that none of them had even attempted it because they were sure they would not be let in. So to me it is very special that this year I walked into a gallery during Chobi Mela and saw a bunch of street children capering about. Ensuring the general public’s access is an important and complicated task. We try to have photo exhibitions in open-air marquees. Our mobile exhibitions is now a trademark of the festival, where 10 rickshaw vans, plying the streets of Dhaka, move the festival away from galleries to the more public spaces of football fields and open-air markets. Another way in which we’ve made inroads: a monthly television programme. In each episode we introduce a major Bangladeshi and international photographer and something that the ordinary person would be interested in, such as wedding photography or how to get better prints. And this is as important to us as the high-profile guests at Chobi Mela.

Leaning to the other extreme from our camera club days, today most of our best work is being done in documentary photography and photojournalism. Today our photographers have won awards in every international contest and there is a lot of pride in that. And in the fact that I, a Bangladeshi photographer, am the only non-white person to have been the chair of the World Press Photo international jury.

Poverty is a commodity in the world of photography. We started Majority World, a photo agency, with the intention of fighting the making of the images which are the most popular among Western photographers shooting in Bangladesh. Even the name Majority World is a response to the phrase First World. At the same time, we do not deny poverty and we teach our students to photograph people with dignity and to understand that the issues of poverty and exploitation are intertwined.

When we put together the exhibition The War We Forgot on Bangladesh’s liberation war of 1971, the government asked us to remove the images which showed revenge killings by Bengalis against Urdu speakers. We pulled the exhibition from the National Museum and held it in Drik’s gallery instead. The government was left with egg on its face because visitors kept asking why such a show was refused by the National Museum. The British Council asked us to not show an exhibition criticising the invasion of Iraq on their premises and we refused. This year one of the shows was by a Swedish artist examining terrorism. But her work was strongly sexual, using images involving much nudity. The Indian government was a partner in the Chobi Mela until we had a show of photographs taken by children of sex workers in Sonagachi, Kolkata. Years ago, one night after Drik had hosted a press conference criticising the government, I was stabbed on the street. But we know we are here to push the envelope constantly and we won’t stop.

(Alam is an award-winning photographer and activist)

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