The load that you carry

My dear brothers.

Put the loads you carry down for a little while.

For the space of time you sit at my table, be easy: you are safe.

You think I do not notice that you are exhausted when I open the door. You smile, I am barefoot and you tug on my braided hair; to see me this way is, for you, home. I define your inviolable space. This does not offend me; I am happy to give you peace. But I am troubled by the exhaustion you bring to my door.  The life you lead beyond this threshold should not be so hard. But it is.

There is so much for you to reconcile. I fight for my rights; you fight for something much more abstract. The blank-eyed men want to cover me up, cut me, keep me out of the way, but it is your impulses they demonize; your desires they call satanic, your gaze they use as an excuse to smother me within the walls of my house. You hate me for my weakness because I remind you of yours. In making you a slave to my body, the blank-eyed men are slowly eroding your dignity, as surely as they have acquired mine for their own use. I am trapped between religion and the undefined space that is the future; you are trapped between religion and me.

You think I don’t see how this hurts you, but I do.

My dear brothers, I owe you an apology: I have been complicit in my own oppression. When your anger and frustration, the narrowing space in which you are expected to live, made you a tyrant over me, I did not help you, I did not comfort you, and I did not confront you: instead, I made excuses for your behavior. I retreated farther and farther into myself. When you were hostile to me in the street, I covered my hair; when you were aggressive toward me in the mosque, I covered my face; when your helplessness spilled into our home, I agreed never to leave it. I agreed.

Under the scrutiny of outsiders, I defend anything you do. Though I might ache from the confines of my cage, I become furious in defense of its builder; though you take wives behind my back, though you humiliate me, I am passive. To be anything else is to admit that I have let chance after chance to right the wrongs between us slip through my fingers. I have been wronged. But I have also wronged myself. And in doing so, I have wronged you.

The damage we have done is all the greater because we have shared in its creation.

Do not rescue me. I have a little strength left. Cross the threshold and set your burden down, and in the inviolable space I have created for you, be honest with me. In this place, there are no outsiders. There is no one to watch you here but me, and I have put away my weapons. I do not sit in judgement, though I demand change. You are safe here. I will rescue you.

—————-

I had originally found this piece on this blog:http://eteraz.wordpress.com/2006/10/17/to-my-dear-brothers/#comment-12096. Sadly the site has been deleted and I have no further reference.

About Shahidul Alam

I am a Bangladeshi photographer, writer and activist with a special interest in education, new media and ICT. I was a research tutor at London University where I obtained a PhD in organic chemistry before taking up photography as a profession. I am a former president of the Bangladesh Photographic Society and set up the award winning Drik Picture Library. I also set up the Bangladesh Photographic Institute and Pathshala, the South Asian Institute of Photography and the DrikNews photo agency. I am the director of Chobi Mela the festival of photography in Asia. My work has been shown in the Museum of Modern Art in New York, the Tehran Museum of Contemporary Arts, the Royal Albert Hall in London, Le centre Georges Pompidou in Paris and the National Art Gallery in Kuala Lumpur. I have chaired the World Press Photo international jury. I am an honorary fellow of the Royal Photographic Society, a board member of the National Geographic Society and the Eugene Smith Foundation. I am currently visiting professor of photography at the University of Sunderland. I have lectured at Harvard, UCLA and Stanford universities in the USA, Ateneo de Manila University in the Philippines and Universidade Eduaro Monldane in Mozambique and Oxford and Cambridge universities in the UK. I was one of the Masters in the Joop Swart Masterclass organised by World Press Photo. My new book “My Journey as a Witness” has been selected as one of the “Best Photo Books of 2011” by American Photo.
This entry was posted in People, World. Bookmark the permalink.

Leave a Reply

Your email address will not be published. Required fields are marked *

*

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>