If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don’t deal in lies,
Or being hated, don’t give way to hating,
And yet don’t look too good, nor talk too wise:
If you can dream—and not make dreams your master;
If you can think—and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you’ve spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build ’em up with worn-out tools:
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: ‘Hold on!’
If you can talk with crowds and keep your virtue,
Or walk with Kings—nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds’ worth of distance run,
Yours is the Earth and everything that’s in it,
And—which is more—you’ll be a Man, my son!
Win a festival catalogue!
Deadline: 28 February 2014
Propose your theme for Chobi Mela VIII, January 2015
Chobi Mela, the international festival of photography since its inception in 2000 has aimed at exploring the semiotics of present day photographic practice in a broad international context, to bring about an understanding of the medium both within the industry and amongst the public at large. The past festivals, thematically addressed Differences, Exclusion, Resistance, Boundaries, Freedom, Dreams and Fragility provided an opportunity to fine art photographers, conceptual artists and photo journalists, to explore possibilities, in its myriad forms.
Chobi Mela invites you to propose a theme for its upcoming eighth edition. Proposals will then be debated online and followed by a poll. The most voted theme will be chosen for the next festival and will win an exciting copy of the Chobi Mela VIII catalogue.
Deadline: 28 February 2014
Drop your theme and be a part of world’s most inclusive festival!
In this lovely interview, Salima Hashmi, who has played such a vital role in promoting Pakistani art, talks about her father Faiz Ahmad Faiz. About writing poetry under military rule, about his meeting with Pablo Neruda and his feelings about the birth of Bangladesh.
“Krauss books can be bridges between the poor dull insensitive adult and the fresh, imaginative, brand-new child.”
Beloved children’s author Ruth Krauss (July 25, 1901–July 10, 1993) penned more than thirty books for little ones over the course of her forty-year career, but remains best-known as half of one of the most celebrated author-illustrator duos of all time, the other half being none other thanMaurice Sendak. Their eight-year partnership, masterminded by the great Ursula Nordstrom who also nursed Sendak into genius, produced such soul-stirring, heart-warming delights as the hopelessly wonderful ode to friendship I’ll Be You and You Be Me. But Krauss’s eighth and final* collaboration with Sendak, Open House for Butterflies (public library), was arguably their loveliest. Originally published in 1960 and thankfully, unlike what happens to a tragic many out-of-print gems, reprinted in 2001, this tiny treasure is a timeless smile-inducer for children and grown-ups alike.
Memory, Justice, Healing evening at Making Democracy Real 2014 with Salman Rashid, Rajmohan Gandhi, Archana Rao and Rahul Bose
A week earlier, he had received a letter from his youngest sister Tahira. Having completed her higher secondary school exams, she was visiting with her older sister Zubaida whose husband was then a surveyor with the Survey of India and posted at Solan midway between Kalka and Simla. Tahira had written that Solan was rife with communal tension and that she wanted to be with the parents in Jalandhar. She asked her brother if he could come for her to take her home.
It was an unusual situation. I was the sole judge for a contest organised by Robi through Facebook, and had found an image I loved. I wrote a piece explaining my reasons behind choosing the photograph. There were other winners, chosen by the public. An exhibition had been arranged.
Shortly before the opening, it was discovered that the photograph had been submitted not by the person who took it, but by someone else. Luckily there was time to choose another image. One which I also liked. After the show, I wrote to Jonathan Munshi, the real author of the original winner, explaining the situation. Jonathan took it well, and since I’d already written the piece describing his image, I thought I’d post it here, along with our email exchange.
We look for special moments, gentle light, a fleeting glimpse. Wide open vistas, majestic skies. We capture great events, reveal hard truth. Photography is the wonderful tool that straddles science and art, mystery and fact. It enchants as it informs. But largely, photographs illustrate situations as they unfold. Record incidents. Document what is visible. It is when photography takes on the intangible that it is at its poetic best. When what it shows is not an illustration of what was, but the mystery of what might have been. It is while describing the elusive and the amorphous that photography becomes magical. Continue reading →
When all you want is the facts, navigating the newspaper might be a tricky ordeal. Sometimes bias is the result of laziness, and sometimes it’s a deliberate attempt to push a particular point of view. Either way, you should always be on the lookout for bias.
Research the newspaper. Some papers have a reputation for giving a particular slant on the news, in addition to the news itself. But don’t assume that views expressed on the editorial pages have any influence on coverage; reputable newspapers strictly separate the news and editorial staffs. Also, take note of how many ads the paper runs (not including inserts which are often added after the fact). If there are large number of printed ads that may indicate a paper is beholden to numerous entities such as special interest groups, local and/or federal governments, corporations etc. for funding.
It was during a discussion for a planned exhibition of his personal photographs that artist David Hockney hit upon a new way of making pictures. Alain Sayag, of the Pompidou Center in Paris, had visited Hockney at his LA home, and was looking through the 100-odd photo albums, when Hockney realized the photographs had “cheated,” as they had not captured a true sense of the events they depicted.
“I had become very, very aware of this frozen moment that was very unreal to me. The photographs didn’t really have life in the way a drawing or painting did, and I realized it couldn’t because of what it is. Continue reading →
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