Dhaka University, Shaheed Minar and CP Gang’s ‘bessha’ banner
by Rahnuma Ahmed
THIS story begins with the sudden and unexpected death of professor Piash Karim on October 13, 2014, of cardiac arrest. Piash, who had returned to Dhaka in 2007 after teaching for nearly two decades at an American university, had joined BRAC University and was teaching in the department of economics and social sciences. Dr Amena Mohsin, professor of international relations at Dhaka University, and Piash Karim got married in March 2013; high-school student Drabir Karim, Piash’s son from his first marriage, was part of their family. Earlier known in his circle of friends for his left-leaning views, Piash gradually gravitated towards the Bangladesh Nationalist Party, a centrist party and the ruling Awami League’s arch-enemy. He began frequenting television talk shows, popular, as no real debate takes place in the parliament. (The popularity of TV talk shows has drastically declined, however, with the silent black-listing of dissident voices; a couple of analysts have reportedly left the country). His comment that the Ganajagaran Mancha — initially composed of a small group of bloggers and activists calling for the hanging of war criminals of 1971, later mushrooming into a sea of people at Shahbagh square in Dhaka city and spreading nationwide — was developing “fascist” undertones, earned him widespread denunciation. The movement was then riding high. Continue reading →
Artist Dhali Al Mamoon talks to Rahnuma Ahmed about his public art Shorok Durghotona Sritisthapona (Road Accident Memorial), located in Dhaka University campus, in memory of film-maker Tareque Masud and journalist Mishuk Munier
AWARD-WINNING film-maker Tareque Masud, broadcast journalist Mishuk Munier and three others died in a car crash on August 13, 2011 when a Chuadanga-bound bus rammed into the film crew’s microbus on the Dhaka-Aricha highway in Manikganj. It was raining; the bus was travelling at a high speed. Their deaths were instantaneous.
Dhali Al Mamoon, his artist wife Dilara Begum Jolly, Tareque’s wife American-born film editor Catherine Masud, production assistant Saidul Islam, and writer Monis Rafik survived the accident. Mamoon’s injuries were the most severe. Continue reading →
Last year, I stopped travelling to Indonesia. I simply did… I just could not bear being there, anymore. It was making me unwell. I felt psychologically and physically sick.
Indonesia has matured into perhaps the most corrupt country on Earth, and possibly into the most indoctrinated and compassionless place anywhere under the sun. Here, even the victims were not aware of their own conditions anymore. The victims felt shame, while the mass murderers were proudly bragging about all those horrendous killings and rapes they had committed. Genocidal cadres are all over the government.Continue reading →
Saudi Arabian law does not recognise religious freedom, and the public practice of non-Muslim religions is actively prohibited. No law specifically requires citizens to be Muslims, but article 12.4 of the Naturalisation Law requires that applicants attest to their religious affiliation, and article 14.1 requires that applicants to get a certificate endorsed by their local cleric. Saudi Arabia, a member of the UN’s Human Rights Council and a close US ally, is hiring more executioners, according to its Ministry of Civil Service website.
With 85 people already executed this year alone, Saudi Arabia is recruiting eight more executioners to fulfil positions that require carrying out beheadings, as well as performing amputations on those who committed smaller offences, according to a report from Reuters
Is the inclusion of Saudi Arabia in the Current Membership of the Human Rights Council, 1 January – 31 December 2015 justified?
Here is the second Poll:
While theoretically there is a separation between the judiciary and the executive, there are many who feel the judiciary is unduly influenced by the party in power. The recent increase in the number of contempt of court cases has also raised doubts in people’s minds about whether the primary motive of the judiciary is to implement justice, or whether it is to protect the image of the government. The Bangladesh judiciary has had a long tradition of resisting autocratic rule and has in the past taken landmark decisions that have gone against the ruling party. Is that still the case? Tell us what you think and get others to voice their opinion. It is only through occupying the public space that we can bring about a government and an establishment that is truly representative of our interests
With politicians on either side claiming they are the legitimate voice of the people, and with corporate spin dominating news, I thought it would be useful to create a voice for citizens. This is a series of weekly polls that I’ll be conducting from now on. While it will be completely transparent, there is no guarantee that it will not be tampered with or hijacked. The only way we can reduce this is by our active participation. So let your voice be heard. Please send me your suggestions for future polls. They can be on any topic that you consider to be in the public interest.
Here is the first Poll:
Please feel free to provide further information or comment:
I am in difficulty. I am unwell, but I am alone and there is none to help me. I am having slight attack of fever and am very weak. Many thanks for inviting me at Drik function, but I am very sorry I am unable to attend due to my illness. However, I hope the function will be successful. Thanks for 2 doorscreens, and many thanks to your mother for food. Manuscript for my photobook is ready for you. Please take it at your convenience.
LOOKING at this photograph, one of the few in our library where the photographer is unknown, I realise how times have changed. This is the undisputed leader of a country with his arms across the shoulder of a newspaper photographer not known for being affiliated to his party.
No security guards, no party goons, no chamchas. Both men are at ease with the situation. The smiles, the casual gait, Rashid Bhai with his camera dangling, a single prime lens. Not even a camera bag (and this was the time of film when you only had 36 exposures). How times have changed. Sure, we live in a more security conscious world, but the distance between the leaders of today, and the people, isn’t simply about changed situations, it is about changed attitudes. Today the proximity between leaders and the people surrounding them has much more to do with business and benefits, than with humility and largesse. There was much more give and much less take. Continue reading →
A self-taught photographer with a strong sense of humour Rashid Talukder received a Lifetime Achievement Award at the Chobi Mela international photography festival in Dhaka, in 2006. His images of the war of liberation of Bangladesh and the political events leading up to it, are the most comprehensive visual documentation of Bangladesh’s political history on record. Rashid Talukder handed over his entire collection of negatives to the Drik Picture Library in Dhaka before he passed away.
With support from Drik’s long standing partner, the Prince Claus Fund Drik has been scanning the Talukder archives of over 165,000 original negatives. The archives contain rare images, many of them never previously seen. These include major political events, everyday life and photographs of Bangabandhu Sheikh Mujibur Rahman, the founder of Bangladesh, whom Talukder was especially close to. The photographs show Mujib, not only as a statesman, but also as someone close to his people. There are also private and intimate moments which give insights not only to the public figure, but also to the individual.
While Talukder is virtually unknown outside of Bangladesh, he was one of the foremost chroniclers of the struggle for independence, photographing its origins in the language movement of the 1950s and continuing through the war’s aftermath.
Now hailed as a founding father of Bangladeshi photojournalism, Mr. Talukder made some of the most important images of the war, which by some estimates claimed one million lives and turned 10 million of his countrymen into refugees. He also documented everyday life in Bangladesh during his 46-year career, during which he worked for the newspapers The Daily Sangbad and The Daily Ittefaq.Through an initiative of the new mayor of Dhaka North Annisul Huq, and his council members, a massive outdoor exhibition has been arranged at the iconic parliament building of Bangladesh, designed by Louis Kahn, based largely on the Drik archives. Special access has also been arranged for the general public where even rickshas will be allowed into the parliament complex.
Commemorating the 40th death anniversary of the father of the nation, this provides a rare opportunity for visitors not only to see these previously unseen photographs, but also visit this landmark building, considered one of the architectural masterpieces of the 20th century.
The honourable Prime Minister of Bangladesh, Sheikh Hasina, the daughter of Sheikh Mujibur Rahman, will inaugurate the exhibition today the 13th August 2015 at 5:00 pm.
In the cool interior of a mental ward in Karachi, a short, powerfully built man with a flowing snow-white beard and penetrating dark-brown eyes is standing at the bedside of a distraught young woman. She has covered her head with a sheet and is pleading for news of the two children her husband took from her.
“I know you are suffering terribly, but this is no way to bring back your children,” says the man with stern compassion. “You have a college degree. You can do many things to help the other patients.”
Bentleys and Benefits is a unique exhibition at Rich Mix capturing the story and social diversity of the East End through the eyes of the young people who live here. The exhibition brings together the outcomes of ‘Demystifying Photography’, a series of photography workshops, by Drik Picture Library, Dhaka in collaboration with Rich Mix and Morpeth School.
Five workshops between October 2014 and June 2015 were conceived to offer the youth of East London an opportunity to work with Shahidul Alam, founder of Drik and world-renowned photographer, writer and activist from Bangladesh, and learn how to use digital technology to capture a memorable image by using key elements of story telling. By exploring emotion and perspective, and studying qualitative shifts between first person and third person narratives, Alam introduces the often-neglected sphere of visual literacy.
The photographers, all sixth form students at Morpeth school, have been working closely with Alam, to develop their own voice through photography; resulting in an intimate, compassionate and inclusive dialogue shaped by their experiences of life in Bethnal Green. The result is a photographic journey through the financial and social landscape of this extraordinary area of London.
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Our Positive Light book has reached tipping point, but the campaign continues at: bangladesh.crowdsourced.travel/